Raised in a Trappist monastery, the innocent Brother Ambrose sets out to find money to save the bankrupt monastery. His education in worldliness is provided by a hooker. He eventually ... See full summary »
Yellowbeard, a pirate's pirate, is allowed to escape from prison to lead the authorities to his treasure. He finds that his wife neglected to tell him that he now has a son, 20, and shame ... See full summary »
The count has stolen enough gold to cause a financial crisis in the world markets so I.C.E. sends in ace spy Matt Helm to stop him. As Matt works alone, the British send in Freya to aid ... See full summary »
Completely innocent man, Michael Jordon, is drawn into a web of government secrets when a girl carrying a mysterious package gets into a taxi with him. When she's later murdered, Michael becomes the chief suspect and goes on the run.
The priceless Blue Water sapphire is coveted by the heirs of Sir Hector Geste - his new wife, Flavia; his daughter, Isabel; and his adopted twin sons, heroic Beau and pathetic Digby. When Sir Hector takes to his deathbed (where he remains for the duration of the film), Beau absconds with the stone, to keep it from his stepmother. Flavia pursues him to North Africa, dispensing sexual favors to promote her schemes. Written by
Director Marty Feldman once described this movie as "a farce, a slapstick melodrama. It's on the edge of reality . . . a pastiche. I used the 1939 film version [Beau Geste (1939)] as a point of departure. I've kept certain nostalgic shots from director William Wellman [William A. Wellman], some echoes of his material, but when possible, I turned them to comedy use". See more »
When the soldiers are singing as they make their way to the fort, the mouth movements are out of sync with the song being sung. See more »
Medals are like hemorrhoids, Dig. Sooner or later every asshole gets one.
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Having seen this movie at least a dozen times, it is no secret that I'm a great fan of it. In my eyes it is THE best Feldman movie ever made. Especially enjoyable is the sadistic Markov portrayed brilliantly by Peter Ustinov. Quality gags and an all-star lineup simply can't be denied. Final verdict: 8/10.
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