Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Henry G. Sanders,
Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of ... See full summary »
Produced at the height of the Vietnam War, Emile de Antonio's Oscar-nominated 1968 documentary chronicles the war's historical roots. With palpable outrage, De Antonio (Point of Order, ... See full summary »
Emile de Antonio
Harry S. Ashmore,
Ricky, a dim-witted ex-con, meets Beth, a dim-witted waitress, in an Idaho diner. They take off in his car to Washington and begin an affair. Beth, a lonely romance-novel addict, is ... See full summary »
Franz "Fox" Biberkopf is a working-class guy, at loose ends when his lover is arrested and the police shutter their carnival booth. In need of cash for his weekly lottery purchase, Fox lets... See full summary »
Rainer Werner Fassbinder
Rainer Werner Fassbinder,
A schoolteacher (Miereveld or "field of ants") is entranced by one of his students (Fran). Not being able to have his love fulfilled he tries to escape it and moves house and job. Working ... See full summary »
In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to ... See full summary »
Gian Maria Volonté,
James Benning took the founding of the New York Times in 1851 as a departure point for his latest film, Deseret. In the best Benning tradition, Deseret unfolds magnificent landscapes ... See full summary »
The Ceddo try to preserve their traditional African culture against the onslaught of Islam, Christianity, and the slave trade. When King Demba War sides with the Muslims, the Ceddo kidnap ... See full summary »
LAST CHANTS is a fine introduction to Jost's work, because, really, the films that follow aren't much different (at least, those with Tom Blair in them: SURE FIRE and THE BED YOU SLEEP IN.) Basically, they all follow a man who drives a pickup truck and has questionable morals, though Tom's character in BED isn't the same sort of character we see here and in SURE FIRE. But the men are usually failing in their business (a wacko get-rich-quick tourist scheme in SURE FIRE and a lumber company in BED) and later turn to violence. So the films seem formulaic at times, but it's Jost's exclusive formula, and it works. Here, though, there's a lack of the visual splendor that Jost injects in his later films, which is understandable. Anyway, LAST CHANTS is certainly worth a look, and it's a fine introduction into the work of this great, virtually unknown filmmaker.
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