An amnesiac soldier, seeking his lost love, arrives in Archangel in northern Russia to help the townsfolk in their fight against the Bolsheviks, all quite unaware that the Great War ended three months ago.
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Henry G. Sanders,
An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two ... See full summary »
A schoolteacher (Miereveld or "field of ants") is entranced by one of his students (Fran). Not being able to have his love fulfilled he tries to escape it and moves house and job. Working ... See full summary »
Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of ... See full summary »
In the Pacific Northwest during the 1950's, two young sisters whose mother has abandoned them wind up living with their Aunt Sylvie, whose views of the world and its conventions don't quite... See full summary »
This film travels through fantasy and reality as Ivens goes to China to capture the Wind. The film reflects the film maker's journey - from his first film on the wind (Pour Le Mistral)to ... See full summary »
LAST CHANTS is a fine introduction to Jost's work, because, really, the films that follow aren't much different (at least, those with Tom Blair in them: SURE FIRE and THE BED YOU SLEEP IN.) Basically, they all follow a man who drives a pickup truck and has questionable morals, though Tom's character in BED isn't the same sort of character we see here and in SURE FIRE. But the men are usually failing in their business (a wacko get-rich-quick tourist scheme in SURE FIRE and a lumber company in BED) and later turn to violence. So the films seem formulaic at times, but it's Jost's exclusive formula, and it works. Here, though, there's a lack of the visual splendor that Jost injects in his later films, which is understandable. Anyway, LAST CHANTS is certainly worth a look, and it's a fine introduction into the work of this great, virtually unknown filmmaker.
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