Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy ... See full summary »
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
Charles Burnett's beautiful, poetic masterpiece is novelistic in its narrative density and richness of characterization. Harry Mention, an enigmatic drifter from the South, comes to visit ... See full summary »
A struggling young actress with a six-year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight-year-old daughter who rejects her mother by trying to pass for white.
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against influences which would dishonor and endanger him and his family. Written by
Jim Beaver <firstname.lastname@example.org>
The Library of Congress has declared "Killer of Sheep" as a national treasure and one of the first fifty on the National Film Registry. The National Society of Film Critics selected it as one of the "100 Essential Films" of all time. However, since the film was made without the proper legal permits and rights acquisition (due to the expense of the music rights) the film was never shown theatrically or made available on video. It had only been seen on poor quality 16mm prints at a scant few museums and film festivals. Thirty years after it's premiere the new 35mm print of Killer of Sheep was brilliantly restored by UCLA Film & Television Archive. In addition, all rights were secured for the music, allowing the film to be shown on the film festival circuit, theaters, and nationally broadcast by Turner Classic Movies. The film is also available on DVD. See more »
After Stan and his friend load the engine block on the truck, they drive away and it falls out, and a car is then seen parked along the curb. The car was not there when they carried the engine out. See more »
[to his older son]
You let anyone jump on your brother again, and you just stand and watch - boy, I'll beat you to death! I don't care who started what, or whether he was winnin' or losin'; well, you get a thick oh-oh-oh-oh-oh, a goddam brick, get *anything*, and you knock the shit out of whoever fightin' your brother! 'Cause if anything was to happen to me or your mother, you ain't got nobody except your brother. And this goes for him, too - and he knows! You're the one that keep ...
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Before writing this review, I read the four comments that were already posted- by tvspace, zumlinz, seabiscuit, and bartman. Their ratings ranged from two stars to ten stars, and one reviewer here (in addition to Manhola Dargis of the NY Times) hailed it as a masterpiece.
After viewing the film this afternoon at the IFC Center in Greenwich Village, I have to say that all four reviewers have valid points about the film.
It certainly has an "amateur" feel to it, including the acting of some of the smaller roles, as one of the previous reviewers pointed out. But I found much that was beautiful about it, and saw a sort of perfection in its lack of polish- polish and formula that is so commonplace today in not only big studio pictures, but many independent films as well.
While certainly not about "nothing," it does lack a conventional narrative, as was pointed out previously as well. But it is this absence of an obvious agenda (other than to portray typical, everyday life in Watts from the point of view of one family) that allows the film to work so well as a loosely structured, poetic slice of life. It is an amazing mood piece, and it made me feel quite sad. Yet there was humor, warmth, and hope scattered throughout the generally melancholy film.
I think this is the kind of film that will effect people differently, as is already evident from the first four reviews. If you don't catch this film in the theater this time around, it will be available on DVD in the fall and is well worth watching. Nowadays it seems to be in vogue with hotshot filmmakers to recreate the specific,unique look of older films, using all sorts of advanced technology to turn back the clock. Here's a chance to see the real deal-something raw and authentic from a talented filmmaker as he emerged.
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