Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Charles Burnett's beautiful, poetic masterpiece is novelistic in its narrative density and richness of characterization. Harry Mention, an enigmatic drifter from the South, comes to visit ... See full summary »
J.J. is a rookie in the Sheriff's Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.'s fellow officers resent his presence. ... See full summary »
Interview with Jason Holliday aka Aaron Payne, house boy, would be cabaret performer, and self proclaimed hustler giving one man's gin-soaked pill-popped, view of what it was like to be ... See full summary »
This critically acclaimed 1973 short is about an aristocratic white farming family who has a horse that is being put away, by the father of a young black boy named William. William cares ... See full summary »
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against influences which would dishonor and endanger him and his family. Written by
Jim Beaver <firstname.lastname@example.org>
After Stan and his friend load the engine block on the truck, they drive away and it falls out, and a car is then seen parked along the curb. The car was not there when they carried the engine out. See more »
[to his older son]
You let anyone jump on your brother again, and you just stand and watch - boy, I'll beat you to death! I don't care who started what, or whether he was winnin' or losin'; well, you get a thick oh-oh-oh-oh-oh, a goddam brick, get *anything*, and you knock the shit out of whoever fightin' your brother! 'Cause if anything was to happen to me or your mother, you ain't got nobody except your brother. And this goes for him, too - and he knows! You're the one that keep ...
[...] See more »
Remarkable independent portrayal of Black urban life...
Somewhat reactionary to the black exploitation films that usually define the Black cinema experience in the 70's, Killer of Sheep presents a realistic portrait of a Black urban L.A. community. Burnett's method of telling a story, using the camera in the most unobtrusive manner, enlivens the film and draws the viewer into a world not frequently seen on film. Stan, the depressed insomniac lower middle-class worker struggles to provide for his family, love his wife and maintain responsibility to his community while haunted by the historical futility and impotence of the African American male. In Killer of Sheep, Burnett aptly demonstrates his knowledge of the cinema aesthetic and his proficiency with the camera while telling a most compelling story about the Black experience in America.
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