Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his wife and son four years before... See full summary »
Harry Dean Stanton,
Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let... See full summary »
A woman's life is derailed en route to a potentially lucrative summer job. When her car breaks down, and her dog is taken to the pound, the thin fabric of her financial situation comes ... See full summary »
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against influences which would dishonor and endanger him and his family. Written by
Jim Beaver <email@example.com>
No permits were obtained in the filming of the movie. See more »
After Stan and his friend load the engine block on the truck, they drive away and it falls out, and a car is then seen parked along the curb. The car was not there when they carried the engine out. See more »
[to his older son]
You let anyone jump on your brother again, and you just stand and watch - boy, I'll beat you to death! I don't care who started what, or whether he was winnin' or losin'; well, you get a thick oh-oh-oh-oh-oh, a goddam brick, get *anything*, and you knock the shit out of whoever fightin' your brother! 'Cause if anything was to happen to me or your mother, you ain't got nobody except your brother. And this goes for him, too - and he knows! You're the one that keep ...
[...] See more »
It's not about blacks, it's not even necessarily about the poor, it's a piece of humanity through the eyes of a sensitive filmmaker, and as such is a subtle and delicate thing. Unfortunately, all the 'hooplah' (Library of Congress, student film, etc.) about the movie I think basically buries the beauty of this movie for many viewers.
The beauty of this movie are in the subtle details that Burnett catches. The film has been described as being 'documentary' in style, but to call it that misses the deeper beauty of many of the scenes. To call it a 'slice of life' may be a bit more accurate, but even that doesn't sit well with me- it implies a sort of haphazard, random, cutesy story meant to seem ordinary but 'mean' more, or end up wrapping itself around a common Hollywood plot and message (love conquers all, try hard and don't give up, etc.) This movie is more like a wonderfully telling and sensitive and subtle piece of poetry. Without a significant plot line, all there may be are details, but the devil is in the details. Details captured from real life, not clumsy metaphors to assigned like a color-by-number picture.
I don't like giving ratings, especially too soon after I see a movie. But I'll rate it a 9 for now, and perhaps revise later (though I doubt I will ever lower my score.) A movie like this can be challenging to watch. There's no parts to piece together or 'figure out', there are no big character arcs or big dramatic moments. I'll leave it to each own's opinion whether this is a good or bad thing, but all the hyperbole aside, in my opinion this is a great movie.
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