Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Charles Burnett's beautiful, poetic masterpiece is novelistic in its narrative density and richness of characterization. Harry Mention, an enigmatic drifter from the South, comes to visit ... See full summary »
Interview with Jason Holliday aka Aaron Payne, house boy, would be cabaret performer, and self proclaimed hustler giving one man's gin-soaked pill-popped, view of what it was like to be ... See full summary »
Set ten years after the most peaceful revolution in United States history, a revolution in which a socialist government gains power, this films presents a dystopia in which the issues of ... See full summary »
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
An improvised late '60's short-subject student film, and debut movie of Director, Charles Burnett; done in the neo-realist, documentary film style. A day-in-the-life South Central L.A. tale... See full summary »
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against influences which would dishonor and endanger him and his family. Written by
Jim Beaver <firstname.lastname@example.org>
Completed in 1975, not released until 1977. See more »
After Stan and his friend load the engine block on the truck, they drive away and it falls out, and a car is then seen parked along the curb. The car was not there when they carried the engine out. See more »
[to his older son]
You let anyone jump on your brother again, and you just stand and watch - boy, I'll beat you to death! I don't care who started what, or whether he was winnin' or losin'; well, you get a thick oh-oh-oh-oh-oh, a goddam brick, get *anything*, and you knock the shit out of whoever fightin' your brother! 'Cause if anything was to happen to me or your mother, you ain't got nobody except your brother. And this goes for him, too - and he knows! You're the one that keep ...
[...] See more »
Raw American Poetry. Killer of Sheep takes the immediacy of Italian neo-Realist cinema and shapes it into a dreamy, beautiful montage of everyday life in Watts, Los Angeles, California, in the 1970s.
The revelations, in the year 2000, are surprising: black kids in the middle of the Ghetto acted up and goofed off exactly the same as white kids in small towns across the midwest...but not like black OR white kids today. The folks in this movie have an innocence about them that survives, along with their dignity, regardless of the social decay around them. You are left with a simple fact: these are still country people, who happen to be living in a city.
For anyone, like me, who grew up in the 1970s, the movie aches with a sense of a lost era, when being a kid meant building forts out of left-over construction materials, throwing dirt clods, and laying down big fat skidmarks with your bicycle.
And all this is just the subplot. The main storyline, of a slaughterhouse-working father trying to run a stable family in the midst of urban decay, is simple, understated, and powerful. The musical sequences inside the slaughterhouse rival Kubrick's ability to juxtapose music and image in a manner that creates infinite levels of meaning and irony. You can only sit with your mouth half agape and think, 'aaah.'
Like La Jetee, this is a movie that will allow you to see life anew, with children's eyes. Never pass up a chance to see it.
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