| Jane Fonda | ... | Lillian | |
| Vanessa Redgrave | ... | Julia | |
| Jason Robards | ... | Hammett | |
| Maximilian Schell | ... | Johann | |
| Hal Holbrook | ... | Alan | |
| Rosemary Murphy | ... | Dottie | |
| Meryl Streep | ... | Anne Marie | |
| Dora Doll | ... | Woman Passenger | |
| Elisabeth Mortensen | ... | Girl Passenger | |
| John Glover | ... | Sammy | |
| Lisa Pelikan | ... | Young Julia | |
| Susan Jones | ... | Young Lillian | |
| Cathleen Nesbitt | ... | Grandmother | |
| Maurice Denham | ... | Undertaker | |
| Mark Metcalf | ... | Pratt | |
| Gérard Buhr | ... | Passport Officer (as Gerard Buhr) | |
| Stefan Gryff | ... | 'Hamlet' | |
| Phillip Siegel | ... | Little Boy | |
| Molly Urquhart | ... | Woman | |
| Antony Carrick | ... | Butler | |
| Ann Queensberry | ... | Woman in Berlin Station | |
| Edmond Bernard | ... | Man in Berlin Station | |
| Jacques David | ... | Fat Man | |
| Jacqueline Staup | ... | Woman in Green Hat | |
| Hans Verner | ... | Vienna Concierge | |
| Christian de Tillière | ... | Paris Concierge (as Christian De Tiliere) | |
| rest of cast listed alphabetically: | |||
| Lambert Wilson | ... | Walter Franz | |
| Jacques Disses | ... | (uncredited) | |
| Jim Kane | ... | Sardi (uncredited) | |
| Don Koll | ... | First Nighter at Sardi's (uncredited) | |
| Francis Lemaire | ... | Train Steward (uncredited) | |
| Richard Marr | ... | Sardi Customer (uncredited) | |
| Shane Rimmer | ... | Customs Officer (uncredited) | |
| Vincent Sardi Jr. | ... | Bit Part (uncredited) | |
Directed by | |||
| Fred Zinnemann | |||
Writing credits | ||
| Lillian Hellman | (based upon the story by) | |
| Alvin Sargent | (screenplay) | |
Produced by | |||
| Julien Derode | .... | executive producer | |
| Tom Pevsner | .... | associate producer | |
| Richard Roth | .... | producer | |
Original Music by | |||
| Georges Delerue | (music composed by) | ||
Cinematography by | |||
| Douglas Slocombe | (director of photography) | ||
Film Editing by | |||
| Marcel Durham | |||
| Walter Murch | |||
Casting by | |||
| Margot Capelier | |||
| Jenia Reissar | |||
| Juliet Taylor | |||
Production Design by | |||
| Gene Callahan | |||
| Carmen Dillon | |||
| Willy Holt | |||
Costume Design by | |||
| Anthea Sylbert | (costumes designed by: principals') | ||
Makeup Department | |||
| Bernadine M. Anderson | .... | makeup: Jane Fonda (as Bernadine Anderson) | |
| George Frost | .... | makeup | |
| Ramon Gow | .... | hair stylist | |
Production Management | |||
| Bill Kirby | .... | production manager | |
| Jean-Pierre Spiri-Mercanton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Alain Bonnot | .... | assistant director | |
| Anthony Waye | .... | assistant director | |
| Gerry Gavigan | .... | second assistant director (uncredited) | |
| Terry Hodgkinson | .... | second assistant director (uncredited) | |
| Terry Madden | .... | third assistant director (uncredited) | |
| Roger Wielgus | .... | second second assistant director (uncredited) | |
Art Department | |||
| Pierre Charron | .... | set dresser | |
| Tessa Davies | .... | set dresser | |
| John Leuenberger | .... | property master | |
| Pierre Roudeix | .... | property master | |
| Tommy Bacon | .... | dressing props (uncredited) | |
| Reg Bream | .... | chief draughtsman (uncredited) | |
| Steve Cooper | .... | art department assistant (uncredited) | |
| Bob Douglas | .... | props (uncredited) | |
| Dennis Fruin | .... | dressing props (uncredited) | |
| Bob Hedges | .... | props (uncredited) | |
| Peter Hedges | .... | props (uncredited) | |
| David Lusby | .... | production buyer (uncredited) | |
| Kieron Mcnamara | .... | dressing props (uncredited) | |
| Peter Sheilds | .... | draughtsman (uncredited) | |
| Bob Walker | .... | signwriter (uncredited) | |
| Gus Walker | .... | construction manager (uncredited) | |
Sound Department | |||
| Derek Ball | .... | sound mixer | |
| Leslie Hodgson | .... | sound editor | |
| Bill Rowe | .... | sound re-recordist | |
| Bill Barringer | .... | sound assistant (uncredited) | |
| Roy Birchley | .... | assistant dubbing editor (uncredited) | |
| Peter Handford | .... | sound engineer (uncredited) | |
| Archie Ludski | .... | dubbing editor (uncredited) | |
| Ken Nightingall | .... | boom operator (uncredited) | |
Stunts | |||
| Sue Crosland | .... | stunt double: Lisa Pelican (uncredited) | |
| Veronica Griffiths | .... | stunt double: Susan Jones (uncredited) | |
| Dan Vieru | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Paddy Carey | .... | second unit photography | |
| Guy Delattre | .... | second unit photography | |
| Charles Lefèvre | .... | chief electrician | |
| Barry Miller | .... | chief electrician | |
| Brian Osborne | .... | chief grip | |
| René Strasser | .... | chief grip | |
| Robin Vidgeon | .... | camera assistant | |
| Chic Waterson | .... | camera operator | |
| John Hammond | .... | electrician (uncredited) | |
| John Harman | .... | electrician (uncredited) | |
| Ray Snooks | .... | electrician (uncredited) | |
| Hank Wilcox | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Colette Baudot | .... | costume supervisor | |
| Joan Bridge | .... | wardrobe designer | |
| Annalisa Nasalli-Rocca | .... | wardrobe designer | |
| John Wilson-Apperson | .... | costume supervisor (as John Apperson) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
| Ruth Knight | .... | wardrobe assistant (uncredited) | |
| Janet Lucas | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Mick Monks | .... | assistant editor (uncredited) | |
Music Department | |||
| Georges Delerue | .... | conductor | |
Transportation Department | |||
| Peter R. Chittell | .... | unit car driver (uncredited) | |
Other crew | |||
| Stanley Burridge | .... | production accountant | |
| Pamela Davies | .... | continuity | |
| Van Jones | .... | production assistant | |
| Linda Allen | .... | secretary: M. Derode (uncredited) | |
| Trudie Balen | .... | accounts secretary (uncredited) | |
| Paul Chart | .... | production assistant (uncredited) | |
| Claudia Fraser-Orr | .... | secretary: Mr. Zinnemann (uncredited) | |
| Geoff Freeman | .... | unit publicist (uncredited) | |
| Barbara Harley | .... | publicity secretary (uncredited) | |
| Carolyn Hicks-Beach | .... | secretary: Mr. Roth (uncredited) | |
| Elizabeth Smith | .... | dialogue director (uncredited) | |
| Recent Posts (updated daily) | User |
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| When was it filmed?! | karonanc |
| did it ever get better? | randy512tx |
| The Hat!! | weenyboy |
| Rating? | popcornforbreakfast |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Julia (1977) Starring Jane Fonda as playwright Lillian Hellman and Vanessa Redgrave (controversially winning a Best Supporting Actress Oscar) as a longtime childhood friend. Meryl makes the most of her miniscule part as an upper-class snob acquaintance of Ms. Fonda's. Basically it's a story of a friendship. Redgrave's character, born into privilege, becomes part of the Resistance movement in World War II torn Europe while Fonda fights her own political battles in America while becoming a famous playwright.
The story focuses on an episode near the end of the friends' lives, when Fonda goes to Europe to visit Redgrave, now completely consumed in underground resistance activities and (summoning up bravery of her own) smuggles in money to support the underground movement.
The movie succeeds on several levels. The cinematography, though shot in color, successfully evokes a world of muddied browns, shadows and murkiness. The screenplay, based on Hellman's own memoir is translated well, capitalizing on Hellman's unique talent for imbuing simple moments with heroic significance. The personal drama of the friendship is heightened against the intrigue and always threatening possibilities of war.
Julia provides a rare opportunity to see two female characters conducting their lives not as appendages of men, but as independent protagonists. Furthermore, social relationships, both on a personal and political level, are presented, for a change, from a woman's point of view. Though not a Streep showcase, it is a compelling movie that will haunt you.