The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their ... See full summary »
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
Summer people in Maine: things are changing. Whales no longer pass close to the shore as they did during the youth of two elderly widowed sisters who have a seaside home where they've ... See full summary »
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ... See full summary »
From "Pentimento," the memoirs of late playwright Lillian Hellman, JULIA covers those years in the 1930s when Lillian attained fame with the production of her first play "The Children's Hour" on Broadway. Not surprisingly, it centers on Lillian's relationship with her lifelong friend, Julia. It is a relationship that goes beyond mere acquaintance and one for which the word "love" seems appropriate. While Julia attends the University in Vienna, studying with such luminaries as Sigmund Freud and Albert Einstein, Lillian suffers through revisions of her play with her mentor and sometimes lover Dashiell Hammett at a New England beach house. After becoming a celebrated playwright, Lillian is invited to a writers' conference in Russia. Julia, having taken up the battle against fascism, enlists Lillian to smuggle money through Nazi Germany which will assist in the Anti-Fascist cause. It is a dangerous mission especially for a Jewish intellectual on her way to communist Russia. During a brief... Written by
Mark Fleetwood <firstname.lastname@example.org>
The same locomotive is pulling the train from Berlin to Moscow even though it is a different train. In addition, a single steam locomotive would never have been used from Paris to Berlin, let alone Paris to Moscow. See more »
Just cast an eye at the credits (Jane Fonda, Vanessa Redgrave, Jason Robards, Maximillian Schell, Hal Holbroke, Meryl Streep, John Glover and others directed by Fred Zinneman in a story by Lillian Hellman) and you know this film is worth seeing. It delivers fabulous performances by some of the best actors of our time, in a carefully -- yeah, sumptuously -- produced film directed by one of Hollywood's most respected veterans, based on a narrative by a gifted dramatist and tale-spinner.
The screenplay blends the two longest episodes in Lillian Hellman's PENTIMENTO, the third, most engaging, and most imaginative of her memoirs. It traces the (largely factual) struggle of Hellman to develop her talents as a playwright under the tutelage of her long-time lover, Dashiell Hammett, and the (largely fictional) course of her friendship with an anti-Nazi activist. The character of Julia seems to be part fantasy, part composite of women Hellman admired.
The film suffers from this blend of fact and fiction and even more from the episodic nature of the intermixed stories. In addition (and to its credit), it does not minimize Hellman's famously abrasive personality. But the characters are so compelling, the performances so outstanding, and the pacing so canny that it holds the viewer's interest for a full two hours.
A flawed but fascinating flick!
14 of 16 people found this review helpful.
Was this review helpful to you?