François Perrin plays football at the AS Trincamp. During a training session, he gets into a fight with Bertier, the team's star, and is ordered off the field. The club's boss, who is also ... See full summary »
In a vacation camp somewhere in the French country, 1960. Marc et Philippe are two of the counsellors. Marc is very virile, while Philippe is more reserved. A night, Marc surprises Philippe... See full summary »
The main character is unhappily married and has an affair. When his wife finds out, she lures his girlfriend to a cliff and throws herself of it, making the girlfriend look as her killer. ... See full summary »
Hélène, a distracted pill-popping anesthetist, almost runs down Gilles one evening on a Biarritz street. She is still numb from the drowning death earlier that year of her lover, a ... See full summary »
In Montauban in 1944, Julien Dandieu in a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in ... See full summary »
A tremendous congestion hit the Roma highway ring. The biggest traffic jam ever seen endures for more than 36 hours. People blocked in their cars react at the beginning normally. But the ... See full summary »
Three friends face mid-life crises. Paul is a writer who's blocked. François has lost his ideals and practices medicine for the money; his wife grows distant, even hostile. The charming ... See full summary »
Sadiel, rebel leader in a North African state, takes refuge in Switzerland in the aftermath of a coup. Aware of the threat posed by Sadiel, the ruthless Colonel Kassar contacts the French ... See full summary »
Yves Boisset was then championing any causes going .After the Algerian war (RAS ,1973) and "Dupont-Lajoie" (racism,1974,and probably his best work with the made-for TV "le pantalon rouge") and an unconvincing thriller ("folle à tuer"1975 ) where he seemed to ditch politics,"le juge Fayard...." set the record straight:all things politics.Inspired by a true story,Boisset became here André Cayatte's continuator but he lacked the simplicity of his predecessor (and of his 1973 and 1974 opus):the screenplay is extremely complicated ,sacrificing the plausibility of the script for the sake of the show :the witness's death in the hospital and the spectacular escape are two good examples.Besides,the characters are cardboard:the factory boss,a villain who would not be out of place in a cartoon,Aurore Clement's teacher character who seems to come from the worst May 1968 clichés ,the judge himself (Patrick Dewaere is not as well cast here as he was in "la meilleure façon de marcher" or "serie noire":too youthful,he was hardly 30).
NB :at the time,in the movie theaters ,the SAC -which really existed- won the case:its name was erased from the soundtrack and replaced by some kind of beep:what happened? the audience used to chuckle at every beep.When I saw the movie on TV ,a week ago,the "original " soundtrack was restored and the word "SAC" can be heard again.But who remembers these events?
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