| Lance Kerwin | ... | James Hunter | |
| Linden Chiles | ... | Alan Hunter | |
| Lynn Carlin | ... | Meg Hunter | |
| Kim Richards | ... | Sandy Hunter | |
| Melissa Sue Anderson | ... | Lacey Stevens | |
| Vincent Van Patten | ... | Rip Lindeman | |
| Kate Jackson | ... | Robin | |
| Deirdre Berthrong | ... | Kathy Hunter | |
| Marc McClure | ... | Richie Gammons | |
| Dennis Rucker | ... | Tiger | |
| Jenifer Shaw | ... | Mrs. Larson | |
| K Callan | ... | Mrs. Stevens | |
| Anne Seymour | ... | Miss Moger | |
| John Devlin | ... | Salesman | |
| Tom Lacy | ... | Counselor | |
| Benny Medina | ... | Roland | |
| Michael Biehn | ... | Tony | |
| Lanny Horn | ... | Tom | |
| Raymond Singer | ... | Jonah | |
| rest of cast listed alphabetically: | |||
| Frank Verroca | ... | Fred Sherwood (uncredited) | |
| Donald Warnock | ... | Park Street Station Hanger-on (uncredited) | |
| Episode Crew |
Directed by | |||
| Joseph Hardy | |||
Writing credits | ||
| Dan Wakefield | (written by) | |
Produced by | |||
| Martin Manulis | .... | producer | |
Original Music by | |||
| Richard Baskin | |||
Cinematography by | |||
| Charles F. Wheeler | (director of photography) | ||
Film Editing by | |||
| John Loeffler | |||
| J. Frank O'Neill | |||
Casting by | |||
| Ramsay King | |||
| Joe Scully | |||
Art Direction by | |||
| Kim Swados | |||
Set Decoration by | |||
| Bert Allen | |||
| Richard D. Kent | (as Richard Kent) | ||
Production Management | |||
| Jack Barry | .... | unit production manager | |
| Mark Evans | .... | executive production manager | |
| Joseph Silver | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Carl 'Major' Roup | .... | assistant director (as Major Roup) | |
Sound Department | |||
| Don Higgins | .... | sound editor | |
| Gary Vaughan | .... | sound editor | |
| John Speak | .... | sound designer (uncredited) | |
Stunts | |||
| Hubie Kerns Jr. | .... | stunts (uncredited) | |
| Steve Walters | .... | stunt performer (uncredited) | |
Costume and Wardrobe Department | |||
| Lola Bullion Chambers | .... | set costumer (set costumer) | |
Music Department | |||
| John R. Harris | .... | music editor | |
| Lionel Newman | .... | music supervisor | |
Transportation Department | |||
| Chris Haynes | .... | driver (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Dan Wakefield | creator | |
| Main series | Episode guide | Full cast and crew |
| Company credits | News articles | IMDb TV section |
| IMDb Drama section | IMDb USA section |
For a few years in the mid-1970s, Lance Kerwin, Robby Benson, and Shaun Cassidy were the most over-hyped teenage actors on earth. Kerwin had the weirdest looking face, he always reminded me of some kind of lizard. Unlike Shaun (and David) Cassidy, who at least tried to be cool, Kerwin and Robby Benson went for the Politically Correct Sensitive Teenager awards.
In The Death of Richie, Benson and Kerwin played confused teens who turn to drugs. Of course, they were the victims. In The Family Holvak, Kerwin was the confused teenage boy trying to cope with family problems. In James At 15, Kerwin was the confused teenager trying to deal with being 15 years old. Yes, that was the whole story. Back in the 1970s, the Politically Correct crowd concluded that the reason that teenagers were doing drugs, murdering, raping, and committing suicide was because they were misunderstood. So a ton of TV shows and TV movies popped up about confused teenagers, and Lance Kerwin and Robby Benson were in most of those movies. Did I mention The Loneliest Runner, where Kerwin played a 14 year old bed-wetter? Anyhow, like all his other TV movies, in James at 15, Lance Kerwin played a very sensitive, sweet, sincere, confused teenage boy who has to cope with the problems around him and the demands of his family, friends, and school.
A really insipid show, with a saccharine actor like Lance Kerwin. Clichés abound, and every corny idea is explored. The moral of the story is that James at 15 is confused. Audiences were supposed to tune in to see James deal with such challenging issues as what cereal to eat; whether or not to like girls or boys; get high; go joyriding; disobey his Dad; talk back to his teachers, skip class, etc. No matter what happened to James, he was always unhappy about it; because he was so sensitive and sweet, and nobody understood James, and that confused him.