After a tragic car accident that killed his wife, a man discovers he can communicate with the dead to con people but when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
A shy student trying to reach his family in Ohio, and a gun-toting tough guy trying to find the Last Twinkie and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
After the death of his father the young cooper 'Dennis Cooper' goes to town where he has to pass several adventures. The town and the whole kingdom is threatened by a terrible monster called 'Jabberwocky'. Will Dennis make his fortune? Is anyone brave enough to defeat the monster? A medieval tale with Pythonesque humour. Written by
Gunter Doege <firstname.lastname@example.org>
When the fanatics parade through the village, rolling a huge wooden wheel before them, a stack of camera equipment, partially covered with a blanket, can be seen in the background. See more »
Dennis is hiding in a shadowy alcove removing his nun disguise. As he is illuminated by torchlight he looks back over his shoulder...
Religious Fanatic #1:
Look! It's a nun in the guise of the Devil!
Religious Fanatic #2:
No! It's the Devil in the guise of a nun!
Religious Fanatic #3:
Religious Fanatic #4:
Religious Fanatic #5:
GET THEM BOTH!
See more »
"All characters portrayed in this film are entirely fictitious and bare no resemblance to anyone living or dead, except for one." See more »
I think the mistake a lot of people make is to see this as another Python film. It isn't, and one of the reasons it improves with each viewing is that you come to realise that. In contrast to "Holy Grail" which is essentially a series of sketches, this is a proper film with its own rules and a style which is based much more on gentle whimsy and sly satire than in-your-face Pythonesque clowning.
High points are the cast of veteran British comedy and music hall actors - what a lovely swansong this is for the likes of Max Wall, Harry H Corbett and John le Measurier - the attention to detail, which is quite remarkable, and the constant reversal of expectations. And I love the deadpan little touches like John le Measurier addressing the King as "Darling".
This and "Time Bandits" are my favourite Gilliam movies, I always feel he works better on a small budget where his imagination has to do the work, rather than the somewhat overblown likes of "Brazil"
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