After the death of his father the young cooper 'Dennis Cooper' goes to town where he has to pass several adventures. The town and the whole kingdom is threatened by a terrible monster called 'Jabberwocky'. Will Dennis make his fortune? Is anyone brave enough to defeat the monster? A medieval tale with Pythonesque humour. Written by
Gunter Doege <firstname.lastname@example.org>
To lend a more realistic bird-like look to the Jabberwock's leg movements, the monster costume was designed so that actor Peter Salmon had to wear it backwards. The fight between the Jabberwock and the Black Knight was choreographed differently than what we see, but Salmon slipped and fell, and director Terry Gilliam decided this looked so natural that he edited the fight sequence to include the fall. See more »
When the fanatics parade through the village, rolling a huge wooden wheel before them, a stack of camera equipment, partially covered with a blanket, can be seen in the background. See more »
[he is pooping into the lake, and he does not seem embarrassed about it at all]
Oh, hello Dennis! You've got garbage all over your vest. You really ought to look after your appearance, you know. Very bad for business.
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"All characters portrayed in this film are entirely fictitious and bare no resemblance to anyone living or dead, except for one." See more »
I think the mistake a lot of people make is to see this as another Python film. It isn't, and one of the reasons it improves with each viewing is that you come to realise that. In contrast to "Holy Grail" which is essentially a series of sketches, this is a proper film with its own rules and a style which is based much more on gentle whimsy and sly satire than in-your-face Pythonesque clowning.
High points are the cast of veteran British comedy and music hall actors - what a lovely swansong this is for the likes of Max Wall, Harry H Corbett and John le Measurier - the attention to detail, which is quite remarkable, and the constant reversal of expectations. And I love the deadpan little touches like John le Measurier addressing the King as "Darling".
This and "Time Bandits" are my favourite Gilliam movies, I always feel he works better on a small budget where his imagination has to do the work, rather than the somewhat overblown likes of "Brazil"
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