Tells the story of two women seeking leads to their missing husbands after the end of the Yom Kippur War (1973). A relationship builds between them when each identified her husband in the ... See full summary »
Riki Shelach Nissimoff
When Jimmy's idol, James Dean, dies on September 30, 1955, the small-town Arkansas college undergraduate goes berserk. He and his friends hold a vigil which turns into a drunk and, finally,... See full summary »
Based very loosely on the intricate novel by Joanne Greenberg. A young woman's devotion to a childhood fantasy kingdom has taken over her entire life and causes her endless pain and degradation. Placed in a mental hospital, she has the great good fortune to have a truly caring therapist who tries to help her accept reality, even though reality isn't so great either. Written by
Molly Malloy <firstname.lastname@example.org>
an amazing performance pays homage to a book of overwhelming complexity
I agree completely with Dara. I was 20 when I saw it and I would recommend reading the book first, which gives you the background for Deborah's dreamlife. The film can't even begin to show the cruel beauty of her inner world, and (perhaps appropriately) omits any reference to her ethnic and familial demons.
When I think of this movie, I see the look in Kathleen Quinlan's eyes. Her performance is precocious and utterly...amazing, especially for an actress just into her 20's. She seems possessed, wholly inhabited by the character of Deborah, and her scenes with Bibi Andersson are magical. I would credit the director and cinematographer with the wonderful feel of the movie, but Quinlan's portrayal of a young girl marooned in a parallel universe of her mind's own devising is timeless.
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