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The Hound of the Baskervilles (1978)

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A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.



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Title: The Hound of the Baskervilles (1978)

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Cast overview, first billed only:
Henry Woolf ...
Josephine Tewson ...
Mrs. Tinsdale
Lucy Griffiths ...
Iris (as Lucy Griffith)
Dana Gillespie ...
Mary Frankland
Kenneth Williams ...
Max Wall ...
Irene Handl ...


A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.

Plot Summary | Add Synopsis


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Parents Guide:





Release Date:

November 1980 (USA)  »

Also Known As:

Der Hund von Baskerville  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


Final cinema movie of actress Lucy Griffiths. See more »


[first lines]
Nun: Monsieur le Doctor Watson, what is keeping Monsieur Holmes so long?
Doctor Watson: Oh, reassurez-vous yourselves sisters, your holy relic will be with you momentarily.
Nun: But we have been waiting almost one hour!
Doctor Watson: Mr. Holmes is a very busy man sister. Monsieur Holmes is an, erm, tres occupée sister.
Nun: But tomorrow is the festival of St Beryl, already thousands of blind cripples are flocking to the chapel hoping to kiss the relic. In the name of all the flocking blind cripples, I beseech you...
See more »


Version of The Hound of the Baskervilles (1981) See more »


Twelve String Ties
Music by John Churston (pseudonym of H.M. Farrar)
De Wolfe Music Ltd
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User Reviews

A deeply horrendous film
9 September 2001 | by (United Kingdom) – See all my reviews

I have scarcely, if *ever*, been so disappointed with a film as I was with this. My expectations were hardly particularly high going into the viewing... I certainly did expect more from a film involving Peter Cook, based around the enjoyable Holmesian mythos.

To begin with, the direction was appallingly unsuitable. Paul Morrissey evidently had all the wrong ideas about how to film a comedy and how to illicit comedic performances; he is following the Carry On formula, but this film considerably outstrips the majority of those in terms of the cringe-worthy. Morrissey merely 'directs' an astonishingly experienced and talented cast to go horribly - and I mean horribly - Over The Top, shout a lot, and mixes this with pointless, inapposite crudity. The veteran comic talents of Max Wall - barely in the film, much to his overwhelming relief I suspect - Joan Greenwood, Cook, Moore and Spike Milligan are frittered away carelessly, and allowed to dissolve in an acrid bath of self-abuse. The ageing Greenwood is given an appallingly crass role and embarrassing 'things to do'; Terry-Thomas, clearly an ill man by all accounts at this time, looks completely out of it: a saddening sight. Is Kenneth Williams another to be added to this unfortunate role-call of British comedy greats forcibly desecrated...? Well yes, his performance is every bit the unsubtle, irritating stereotype that many expect of him, including it seems, Paul Morrissey. Such a waste considering the ill-tapped talent the man clearly had; it is hardly surprising to read his increasing despondency about this project in his diaries.

Apparently, Pete n' Dud had a hand in the script-writing, but it really doesn't show; this is committee stuff to the letter, including 'topical' take-offs of "The Exorcist" (1973) as well as the spirit-crushingly inept attempts to 'emulate' the Carry Ons. There are, at best, perhaps one or two middling gags of theirs that surface, but they seem hopelessly out of kilter with the film's remainder. Cook is an aloof, stony-but-insubstantial presence as an 'actor' in this 'picture', Morrissey allowing him no scope for his usual absurdism, shoehorning him into a cardboard nonentity of a role - though surely he himself is culpable, if scripting? Moore is worse, faring poorly as an inept, 'Welsh' Holmes; never once amusing.

This truly is a dire, unspeakable film. The production side of matters is, if anything, as shabby as the rest of the picture; a slipshod shoddiness makes the visuals outright repellent. Strikingly, there is no attempt to truly parody or spoof the Sherlock Holmes mythos; it makes even mediocre films like "The Adventure of Sherlock Holmes's Smarter Brother" (1975) or "The Seven Per Cent Solution" (1976) seem like satiric masterworks in comparison. All this ends up doing is lamentably degrading the Holmes mythos it claims association with.

I hated this film intensely - as I am sure you gathered - and can say with the utmost confidence that it symbolises the utter fall from grace of a tradition of British (film) comedy.

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