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Alice Sweet Alice (1976)

Communion (original title)
After a young girl is brutally murdered during her first communion, her strange and withdrawn older sister becomes the main suspect. But are the authorities mistaken?

Director:

Writers:

(original screenplay), (original screenplay)
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Director: Dante Tomaselli
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Cast

Cast overview, first billed only:
Linda Miller ...
Mildred Clinton ...
...
Alice Spages (as Paula Sheppard)
Niles McMaster ...
Jane Lowry ...
Rudolph Willrich ...
Michael Hardstark ...
Detective Spina
Alphonso DeNoble ...
Gary Allen ...
Jim DeLorenze
...
Louisa Horton ...
Tom Signorelli ...
Detective Brennan
...
Pathologist (as Miss Lillian Roth also)
...
Kathy Rich ...
Angela DeLorenze
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Storyline

Alice Spages is a withdrawn 12 year old girl who lives with her mother, Catherine, and her younger sister, Karen. Karen gets most of the attention from her mother, and Alice is often left out of the spotlight. But when Karen is found brutally murdered in a church before her first holy communion, all suspicions are turned towards Alice. But is a twelve year old girl really capable of such savagery? As more people begin to die at the hands of a merciless killer, Alice's family and the police don't know what to believe. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

If You Survive This Night... Nothing Will Scare You Again. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 November 1976 (USA)  »

Also Known As:

Alice Sweet Alice  »

Filming Locations:

 »

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Box Office

Budget:

$340,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (unrated)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Father Tom stands in the rain, watching Mrs. Tredoni check the mail, a poster for the film Psycho (1960) can be seen in the background. See more »

Goofs

When Mrs. Tredoni answers the door for Catherine at the rectory, the boom mic is visible in a mirror. See more »

Quotes

Mr. Alphonso: [about Karen's funeral] I heard everyone leave. It's all over, huh? Well, you die and they put you in the ground. Such a shame. Such a pretty girl too. Too bad she was the one to end up in the box.
Alice Spages: My mother thought you could use some cake, fatty.
[hands him cake]
Mr. Alphonso: Thank your mother for me. Such a lovely lady. God always takes the pretty ones.
See more »

Crazy Credits

During the ending credits there is no music and the screen doesn't turn black, the last frame of the film remains in the background forever. See more »

Connections

Referenced in Adjust Your Tracking (2013) See more »

Soundtracks

Can't Help Lovin' Dat Man
Written by Jerome Kern (as Kern) and Oscar Hammerstein II (as Hammerstein)
Performed by Helen Morgan (uncredited)
See more »

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User Reviews

Truly disturbing mix of psychosis and anti-catholic vitriol
28 February 2001 | by See all my reviews

While most horror films deliver momentary shock, this low budget flick, one of the first to feature Brook Shields, really works. I went around for several days after seeing it very, very chilled by it. Director Sole should be noted for his superb Hitchcockian style(proof that he was influenced by Hitch: a movie poster of PSYCHO, subtly placed in a scene). Camera angles, minor character development, the use of religious imagery to convey a sense of dis-ease--this is one helluva little film. Alice lives with her divorced mother and sister Karen in early 1960's New Jersey. Karen is enjoying all the attentions that normally accompany a Catholic girl's first communion, and Alice, a volatile and moody girl, is jealous of her sister. As Karen waits in an side room with the other girls waiting to enter the church sanctuary to receive her first communion, a figure in a yellow hooded raincoat and clear mask strangles Karen with her rosary, stuffs her corpse in a bench, and places a lighted candle inside with the body. And all in the first thirty minutes of the movie! Of course, Alice is seen slipping into the church late, and the suspicion begins. Has she or hasn't she. The scene where the gruesome burned corpse is discovered is great, with a shot of a fan blowing the smoke into the congregation. The juxtaposition of the sacred with the profane(or insane, as the case may be)was and is disturbing. The scenes in the apartment of Karen and Alice's mother are claustrophobic, as are those in the priest's rooms. The exteriors of city streets are filmed under overcast skies. And the other characters . . . the bald, grotesquely obese landlord, who mopes around his apartment in urine-stained bermuda shorts with numerous cats while playing selections from SHOWBOAT on a Victrola, could have been the main character in another horror film. But a big part of this film's disturbing vibe comes from the stridently anti-Catholic tone. The fact that the killer attacks and kills Karen in a church on her first communion is bad enough, but the tone is such that Catholic ritual and tradition takes on an insane, chilling patina. Psychosis and tradition meld into a weird brew that gives more chills than a dozen chainsaw wielding maniacs. If you crave an intelligent, well-crafted pyschological horror film brimming with disturbing atmosphere and twisted imagery, this is the one.


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