An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Alice Spages is a withdrawn 12 year old girl who lives with her mother, Catherine, and her younger sister, Karen. Karen gets most of the attention from her mother, and Alice is often left out of the spotlight. But when Karen is found brutally murdered in a church before her first holy communion, all suspicions are turned towards Alice. But is a twelve year old girl really capable of such savagery? As more people begin to die at the hands of a merciless killer, Alice becomes more and more likely of a suspect. Written by
Was partially inspired by the film Don't Look Now (1973), especially the usage of the yellow raincoats. See more »
While Father Joe is saying the climactic Mass, he repeats the Penetential Rite ("Domine,non sum dignus": Lord, I am not worthy) twice over. See more »
Aunt Annie DeLorenze:
[Annie sees a figure in a yellow coat on the stairs as Mr. Alphonso plays his records]
[Annie reaches down but the figure stabs her repeatedly, her face concealed by a mask]
[the figure disappears down the stairs]
Alice, you little bitch!... Catherine no, don't go down there!
[Catherine pushes him out of the way and runs downstairs, chasing Annie as she crawls away]
Aunt Annie DeLorenze:
[Annie makes it outside and onto the sidewalk in the pouring rain just as Catherine reaches her]
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During the ending credits there is no music and the screen doesn't turn black, the last frame of the film remains in the background forever. See more »
This is a brilliant, original, thought-provoking horror movie that has festered in obscurity for some time. Despite a laserdisc release and a slew of alternate titles -- "Alice Sweet Alice" and "Holy Terror" are but two -- it is still virtually unknown.
At the time of its release, PR wags made a big deal that it featured Brook Shields in her first on-screen role. PR wags did not make a big deal of the fact that there had not been anything like it ever before and that it featured an amazing newcomer, Paula E. Sheppard, in a chilling role as a deeply disturbed schoolgirl who may or may not be responsible for a slew of gory murders. Add to those a strong Catholic subtext and hints of child abuse and you've got one incredible ninety minutes of mental and physical mayhem.
Director Alfred Sole, who also made the flawed but fascinating "Tanya's Island" and the rotten "Thursday the 12th" (aka "Pandemonium") creates unbelievable tension and always places his characters (who are very well written) before the horror. Plotting, characterization and suspense are so expertly mixed the film doesn't even feel like a genre piece at times ; instead, it feels like a European drama...but one circling a potent giallo.
As noted, Sheppard is superb as Alice; Linda Miller is exemplary as Alice's tormented mother Catherine and Jane Lowry as the domineering Aunt Annie turns in a powerhouse performance. And playing Alice's obese, perverted neighbor to chilling perfection is the late Alphonso DeNoble. The scene in which he comes close to molesting Alice is priceless for its economy and authenticity.
From the excellent photography to the super-creepy score by Stephen Lawrence, "Communion" is compelling until the final body hits the church floor.
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