Director Hans-Jurgen Syberberg examines the rise and fall of the Third Reich in this brooding seven-hour masterpiece, which incorporates puppetry, rear-screen projection, and a Wagnerian ... See full summary »
The story of Helmut and Karl Hoffmann. Both come of age at the start of Hitler's power in Germany. Helmut joins the SS and eventually becomes a successful flag rank officer. Karl joins the ... See full summary »
This meticuously assembled fim dissects the Third Reich with a keen analytical blade, charting Hitler's improbable rise, his mastery of imagery and crowd psychology, and his consummate skill in exploiting the weakness in others.
A man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow ... See full summary »
During the rehearsals for the production of the tragedy Andromaque, the leading actress and her director, a couple behind the scenes, can't find a way to leave their personal problems at ... See full summary »
André S. Labarthe
Director Hans-Jurgen Syberberg examines the rise and fall of the Third Reich in this brooding seven-hour masterpiece, which incorporates puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. Syberberg, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust. Written by
Most of this movie consists of people addressing the camera, while surrounded by ugly puppets and other pieces of junk. I'm astounded by the positive reviews. I'm left with only a slightly better knowledge as to why many Germans followed Hitler. This film would have made a much better book, with footnotes, citations of sources, and suggestions for further reading. But perhaps that was impossible. As I believe George Harrison once said, "Avant-garde means haven't got a clue." What is the difference between someone talking to you while he sits next to a candelabra and your reading what he has to say in a book? The same goes for speakers with old war film clips as background. I suppose one could argue that watching this film is a more visceral experience than reading a book on the same subject. However, this argument is undercut if the visceral experience is nausea.
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