| Photos (See all 20 | slideshow) |
| Mel Brooks | ... | Richard H. Thorndyke | |
| Madeline Kahn | ... | Victoria Brisbane | |
| Cloris Leachman | ... | Nurse Diesel | |
| Harvey Korman | ... | Dr. Charles Montague | |
| Ron Carey | ... | Brophy | |
| Howard Morris | ... | Professor Lilloman | |
| Dick Van Patten | ... | Dr. Wentworth | |
| Jack Riley | ... | The Desk Clerk | |
| Charlie Callas | ... | Cocker Spaniel | |
| Ron Clark | ... | Zachary Cartwright | |
| Rudy De Luca | ... | Killer (as Rudy DeLuca) | |
| Barry Levinson | ... | Bellboy | |
| Lee Delano | ... | Norton | |
| Richard Stahl | ... | Dr. Baxter | |
| Darrell Zwerling | ... | Dr. Eckhardt | |
| Murphy Dunne | ... | Piano Player | |
| Al Hopson | ... | Man Who is Shot | |
| Robert Ridgely | ... | Flasher (as Bob Ridgely) | |
| Albert Whitlock | ... | Arthur Brisbane (as Albert J. Whitlock) | |
| Pearl Shear | ... | Screaming Woman at Gate | |
| Arnold Soboloff | ... | Dr. Colburn | |
| Eddie Ryder | ... | Doctor at Convention | |
| Sandy Helberg | ... | Airport Attendant | |
| Fred Franklyn | ... | Man (as Fredric Franklyn) | |
| Deborah Dawes | ... | Stewardess | |
| Bernie Kuby | ... | Dr. Wilson | |
| Billy Sands | ... | Customer | |
| Ira Miller | ... | Psychiatrist with Children | |
| Jimmy Martinez | ... | Waiter | |
| Beatrice Colen | ... | Maid | |
| Robert Manuel | ... | Policeman at Airport | |
| Hunter von Leer | ... | Policeman at Airport (as Hunter Von Leer) | |
| John Dennis | ... | Orderly | |
| Robin Menken | ... | Cocktail Waitress | |
| Frank Campanella | ... | Bartender | |
| Henry Kaiser | ... | New Groom | |
| Bullets Durgom | ... | Man in Phone Booth | |
| Joe Bellan | ... | Male Attendant | |
| Mitchell Bock | ... | Bar Patron | |
| Jay Burton | ... | Patient | |
| Bryan Englund | ... | Orderly #2 | |
| Anne Macey | ... | Screaming Woman | |
| Alan U. Schwartz | ... | Psychiatrist |
Directed by | |||
| Mel Brooks | |||
Writing credits | ||
| Mel Brooks | (written by) & | |
| Ron Clark | (written by) & | |
| Rudy De Luca | (written by) (as Rudy DeLuca) & | |
| Barry Levinson | (written by) | |
Produced by | |||
| Mel Brooks | .... | producer | |
Original Music by | |||
| John Morris | (music composed by) | ||
Cinematography by | |||
| Paul Lohmann | (director of photography) | ||
Film Editing by | |||
| John C. Howard | (edited by) | ||
Production Design by | |||
| Peter Wooley | |||
Set Decoration by | |||
| Richard D. Kent | (as Richard Kent) | ||
| Anne MacCauley | |||
Costume Design by | |||
| Patricia Norris | (costumes designed by) | ||
Makeup Department | |||
| Sugar Blymyer | .... | hairdresser | |
| Terry Miles | .... | makeup | |
| Linda Trainoff | .... | hairdresser | |
| Thomas Tuttle | .... | makeup (as Tom Tuttle) | |
Production Management | |||
| Ernest B. Wehmeyer | .... | production manager (as Ernest Wehmeyer) | |
Second Unit Director or Assistant Director | |||
| Mark Johnson | .... | second assistant director | |
| Jonathan Sanger | .... | assistant director | |
| David Sosna | .... | second assistant director | |
Art Department | |||
| Bill MacSems | .... | property master | |
| Edward Richardson | .... | assistant art director | |
| Hendrik Wynands | .... | construction coordinator | |
| John Alvin | .... | poster artist (uncredited) | |
| Claudia Gilligan Ivanjack | .... | painter (uncredited) | |
Sound Department | |||
| Gene S. Cantamessa | .... | production mixer (as Gene Cantamessa) | |
| William Hartman | .... | sound effects | |
| Richard Portman | .... | rerecording mixer | |
| Richard Sperber | .... | sound effects | |
| Raul A. Bruce | .... | boom operator (uncredited) | |
Special Effects by | |||
| Jack Monroe | .... | special effects | |
Visual Effects by | |||
| Albert Whitlock | .... | special visual effects (as Albert J. Whitlock) | |
| Henry Schoessler | .... | matte crew (uncredited) | |
Stunts | |||
| Jerry Brutsche | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Edmond L. Koons | .... | camera operator (as Ed Koons) | |
| Elliott Marks | .... | still photographer | |
| J. Michael Marlett | .... | gaffer (as Michael J. Marlett) | |
| Guy Polzel | .... | key grip | |
Costume and Wardrobe Department | |||
| Jered Green | .... | costumer | |
| Wally Harton | .... | costumer | |
| Nancy Martinelli | .... | costumer | |
Editorial Department | |||
| Thomas G. Jingles | .... | apprentice editor | |
| Mary Scott | .... | assistant editor | |
Music Department | |||
| Ralph Burns | .... | orchestrator | |
| John R. Harris | .... | music editor | |
| Jack Hayes | .... | orchestrator | |
| John Morris | .... | music conductor | |
| John Morris | .... | orchestrator | |
| Nathan Scott | .... | orchestrator | |
| Dan Wallin | .... | scoring mixer (as Danny Wallin) | |
| Uan Rasey | .... | musician: trumpet soloist (uncredited) | |
Transportation Department | |||
| Jerry F. Johnson | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Roslyn Chaitoff | .... | assistant to: Mr. Brooks | |
| Ron Clark | .... | production consultant | |
| Stuart Cornfeld | .... | assistant to producer | |
| Abe Glazer | .... | production accountant | |
| Marie Kenney | .... | script supervisor | |
| Harold Michelson | .... | continuity sequences | |
| Ray Berwick | .... | bird trainer (uncredited) | |
| Richard 'Bongo' Mitchell | .... | animal wrangler (uncredited) | |
Thanks | |||
| Alfred Hitchcock | .... | dedicated to: the Master of Suspense | |
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| Dead Men Don't Wear Plaid | The Matador | Starsky & Hutch | The Groom Wore Spurs | The Pink Panther |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Dr. Richard Thorndyke arrives as new administrator of the Psychoneurotic Institute for the Very, VERY Nervous to discover some suspicious goings-on.
I feel like there was a shortage of jokes at times, but that is Brooks' style. He is more about the scene and less about the jokes. A constant atmosphere of humor, of fun.
Picking Hitchcock to lampoon was a great choice, too. I was able to catch a handful of references but probably missed many, too. That would only add to the film's humor, I suppose. I recommend the film for any Brooks fan, though I would say it is neither his best or worst.