A bad Polish actor is just trying to make a living when what should intrude but World War II in the form of an invasion. His wife has the habit of entertaining young Polish officers while ... See full summary »
2000 Year Old Man is an old Brooks-Reiner comedy routine turned into a half-hour animated TV special. Reiner, a TV reporter, interviews Brooks, a man claiming to be 2000 years old. The ... See full summary »
Dr. Richard Thorndyke arrives as new administrator of the Psychoneurotic Institute for the Very, VERY Nervous to discover some suspicious goings-on. When he's framed for murder, Dr. Thorndyke must confront his own psychiatric condition, "high anxiety," in order to clear his name. An homage to the films of Alfred Hitchcock; contains many parodies of famous Hitchcock scenes from THE BIRDS, PSYCHO, and VERTIGO. Written by
Scott Renshaw <email@example.com>
Even though she is billed second among the cast, Madeline Kahn does not appear before more than halfway through the film. See more »
In the scene at the bar of the hotel, the pianist asks Dr. Thorndyke if "B flat" is an okay key to play the song "High Anxiety" in for him to sing to. The song in the movie during that scene actually begins in the key of "A" and then modulates up 1/2 step to the key of "B flat" for the end of the song. See more »
Groans galore...and what happened to Brooks' style?
At the beginning of "High Anxiety", Mel Brooks arrives at Los Angeles Airport and is lead into the men's restroom by a man who turns out to be a lisping flasher (an excruciating moment). Later in a cocktail lounge, he snaps a microphone cord like a whip and makes Madeline Kahn hyperventilate with passion. Brooks thinks he is so cute, both women AND men want him! It's this kind of egomania that drives "Anxiety" into the ground. The picture might have worked (it's a wacky spoof of Hitchcock moments), but not with this cornball script--nor with Brooks in the lead as a vertigo-prone psychiatrist. He flashes his overbite, mugs like a rubber man, and as the lead writer manages to give himself the final word on everything ("What a dramatic airport!"). The film is offensive visually and verbally--what happened to the style he gave pictures like "Young Frankenstein" and "Blazing Saddles"? This looks like a failed TV pilot. ** from ****
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