A bad Polish actor is just trying to make a living when what should intrude but World War II in the form of an invasion. His wife has the habit of entertaining young Polish officers while ... See full summary »
Dr. Richard Thorndyke arrives as new administrator of the Psychoneurotic Institute for the Very, VERY Nervous to discover some suspicious goings-on. When he's framed for murder, Dr. Thorndyke must confront his own psychiatric condition, "high anxiety," in order to clear his name. An homage to the films of Alfred Hitchcock; contains many parodies of famous Hitchcock scenes from THE BIRDS, PSYCHO, and VERTIGO. Written by
Scott Renshaw <firstname.lastname@example.org>
In another Alfred Hitchcock reference, the location where Dr. Thorndyke is attacked in the phone booth beneath the Golden Gate Bridge is Fort Point, where the crucial water rescue scene takes place in Vertigo (1958). See more »
0:11:50 (NTSC) When Dr. Richard Thorndike sees his former professor Dr Lilloman right after first arriving at the institute, Dr Lilloman quizzes him by asking, "a patient comes into your office suffering from Belldon's Hysteria, and he has a seizure right in your office, what do you give him?". Dr Thorndike responds "2 cc's of aqueous Thorazine coupled with Somadiozine". There is no such thing as Belldon's Hysteria, and there is such a thing as Thorazine but it is used for bipolar depression but there is no AQUEOUS Thorazine. There is also no such drug as Somadiozine. See more »
Groans galore...and what happened to Brooks' style?
At the beginning of "High Anxiety", Mel Brooks arrives at Los Angeles Airport and is lead into the men's restroom by a man who turns out to be a lisping flasher (an excruciating moment). Later in a cocktail lounge, he snaps a microphone cord like a whip and makes Madeline Kahn hyperventilate with passion. Brooks thinks he is so cute, both women AND men want him! It's this kind of egomania that drives "Anxiety" into the ground. The picture might have worked (it's a wacky spoof of Hitchcock moments), but not with this cornball script--nor with Brooks in the lead as a vertigo-prone psychiatrist. He flashes his overbite, mugs like a rubber man, and as the lead writer manages to give himself the final word on everything ("What a dramatic airport!"). The film is offensive visually and verbally--what happened to the style he gave pictures like "Young Frankenstein" and "Blazing Saddles"? This looks like a failed TV pilot. ** from ****
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