An eccentric and dogmatic inventor sells his house and takes his family to Central America to build a utopia in the middle of the jungle. Conflicts with his family, a local preacher and ... See full summary »
Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The ... See full summary »
It's 4 years since Jack is back from Vietnam, but he still has nightmares. In a bus on his way to California he meets Carol, who just left her fiancée - only 4 days before their wedding, allegedly just for a few days of vacation. Jack happily tells her about his plans to set up a worm farm for fishing baits together with four of his Vietnam ex-comrades. Although he gets on her nerves at the beginning, she starts to care. When one after the other of his friends steps out and Jack looses his optimism, Carol remains as the last support that keeps him from despair. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
"Lay your weary head to rest/Don't you cry no more"
Henry Winkler is a bit awkward playing a mixed-up Vietnam vet with repressed memories of combat who breaks out of a mental hospital in search of a war-buddy who shares his dream of starting a worm farm (!). After causing a ruckus in a diner--which gets runaway bride Sally Field into big trouble (playing virtually the same character she did in "Smokey And The Bandit")--Winkler becomes involved in rabbit-hutch building (with vacant friend Harrison Ford) and race-car driving before falling in love with his new traveling companion. She tearfully ends her impending marriage over the phone while he comes to a dramatic resolution of Reality after getting a painful dose of the Truth. "Heroes" isn't much better than the average TV movie of the seventies, one with a built-in campy kick (say, Fonzie meets Gidget--with the addition of Han Solo!). However, despite some ludicrous dialogue, there are several strong scenes. Sally Field is her usual sassy self, and the emotional ending (with the Kansas song) is surprisingly sensitive and well-done. ** from ****
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