| Claudia Jennings | ... | Candy Morgan | |
| Tara Strohmeier | ... | Pam Morgan | |
| Jocelyn Jones | ... | Ellie-Jo Turner | |
| Miles Watkins | ... | Boyfriend | |
| Nancy Bleier | ... | Carol | |
| Buddy Kling | ... | Mr. Sherman | |
| Oliver Clark | ... | Officer Andy | |
| Tom Rosqui | ... | Jason Morgan | |
| Ed Steef | ... | Todd | |
| Danny Sullivan | ... | Young Texan | |
| Bart Braverman | ... | Freddie | |
| Peggy Brenner | ... | Bank Teller | |
| Jim Boles | ... | Mr. Ralston | |
| Christopher Pennock | ... | Jake (as Chris Pennock) | |
| Priscilla Pointer | ... | Miss Harris | |
| Jock Livingston | ... | Mr. Scott | |
| Gary Kaskel | ... | Man in Crowd #1 (as Gary Kaskell) | |
| Jay Hamburger | ... | Man in Crowd #2 | |
| Lawrason Driscoll | ... | Officer Carl (as Lawrie Driscoll) | |
| Dave Nicolson | ... | Market Manager | |
| Johnny Crawford | ... | Slim | |
| Eric Boles | ... | Johnny the Bellboy | |
| Stefan Gierasch | ... | Hotel Clerk | |
| Otto Felix | ... | Hotel Policeman | |
| Mario Gaimari | ... | Hotel Policeman | |
| Donald Elson | ... | Mr. Smith (as Don Ellson) | |
| Susan Burkhalter | ... | Mrs. Smith | |
| Colin Campbell | ... | Manager | |
| Lilyan McBride | ... | Manageress | |
| Tony Lorea | ... | Mexican Farmer | |
| Marvin J. McIntyre | ... | Policeman in Car (as Marvin McIntyre) | |
| Alice Friedland | ... | Dancer |
Directed by | |||
| Michael Pressman | |||
Writing credits | ||
| Mark Rosin | (story) | |
| Peter Macgregor-Scott | (screenplay) (as Peter MacGregor Scott) | |
Produced by | |||
| Marshall Backlar | .... | executive producer (as Marshal Backlar) | |
| Karen House-Whitfield | .... | executive producer (as Karen Whitfield) | |
| David Irving | .... | producer | |
| Peter Macgregor-Scott | .... | associate producer (as Peter MacGregor Scott) | |
| Marshall Whitfield | .... | executive producer | |
Original Music by | |||
| Craig Safan | |||
Cinematography by | |||
| Jamie Anderson | (photographed by) | ||
Film Editing by | |||
| Millie Moore | |||
Production Design by | |||
| Russell J. Smith | (as Russell Smith) | ||
Costume Design by | |||
| Rochelle Reed-Smith | |||
Makeup Department | |||
| Patricia Hutchence | .... | makeup artist (as Pat Hutchence) | |
| Tina Lewis | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Sean Daniel | .... | assistant director | |
Art Department | |||
| Jim Dultz | .... | props | |
| Ginny Gaimari | .... | assistant props | |
Sound Department | |||
| William B. Kaplan | .... | sound mixer (as Bill Kaplan Jr.) | |
| Earl Sampson | .... | boom operator | |
| David Spence | .... | effects editor | |
Special Effects by | |||
| Richard MacLean | .... | special effects | |
Stunts | |||
| Ron Stein | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Graham Berry | .... | camera loader | |
| M. Todd Henry | .... | assistant camera | |
| Michael Mann | .... | still photographer | |
| Josh Miller | .... | electrician (as Joshua Miller) | |
| Jim Salazar | .... | key grip | |
| Raphael Sloane | .... | best boy | |
| Scott Spencer | .... | gaffer | |
| Mark Walthour | .... | best boy | |
| Gary Strange | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Connie Sech | .... | assistant costumes | |
Editorial Department | |||
| Marshall Harvey | .... | assistant editor | |
Other crew | |||
| Wilfred Boyne | .... | production staff | |
| Rick Braverman | .... | production staff | |
| Dennis Paul de la Rocha | .... | production staff | |
| Raymond De Perna | .... | mechanic | |
| David Hamburger | .... | production staff | |
| Barbara Hodous | .... | production secretary | |
| Valley Hoffman | .... | secretary to producer | |
| Marie Melnick | .... | executive secretary | |
| Eloise Rich | .... | production staff | |
| Jeanie Roman | .... | script supervisor | |
| Gary Strange | .... | cinemobile operator | |
| Louis Yansen | .... | production staff | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This is an interesting example of a subgenre of seventies sexploitation movies, something one might call feminist jiggle. Claudia Jennings, queen of the B-Movies plays a woman fed up with the system who in a female bonding moment goes on a crime spree with an equally disatisfied bank teller. The movie has plenty of Claudia taking her clothes off and some action too. This is hardly a message movie and has all the flaws of the quickies churned out at the time, but it's entertaining nevertheless in a charming way that the virtual remake, Thelma and Louise, didn't have. The latter was far too self conscious in its gender pieties.