| Photos (See all 22 | slideshow) |
Directed by | |||
| Herbert Ross | |||
Writing credits | ||
| Neil Simon | (written by) | |
Produced by | |||
| Roger M. Rothstein | .... | associate producer | |
| Ray Stark | .... | producer | |
Original Music by | |||
| Dave Grusin | |||
Cinematography by | |||
| David M. Walsh | (director of photography) | ||
Film Editing by | |||
| John F. Burnett | |||
Casting by | |||
| Jennifer Shull | |||
Production Design by | |||
| Albert Brenner | |||
Set Decoration by | |||
| Jerry Wunderlich | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Kaye Pownall | .... | hair stylist | |
| Allan Snyder | .... | makeup artist (as Allan Whitey Snyder) | |
| Carrie White | .... | hair stylist: Miss Mason | |
Production Management | |||
| Roger M. Rothstein | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Robert P. Cohen | .... | second assistant director: New York | |
| Edward D. Markley | .... | second assistant director (as Edward Markley) | |
| Jack Roe | .... | assistant director | |
Art Department | |||
| Spencer Deverell | .... | assistant art director (as Spencer Deverill) | |
| Dennis J. Parrish | .... | property master | |
| Thomas Saccio | .... | property master: New York | |
Sound Department | |||
| Jerry Jost | .... | sound | |
| William L. McCaughey | .... | sound (as William McCaughey) | |
| John Riordan | .... | sound editor (as John P. Riordan) | |
| James Sabat | .... | sound: New York | |
| Ken Dufva | .... | foley artist (uncredited) | |
Special Effects by | |||
| Al Griswold | .... | special effects: New York (as Albert Griswold) | |
Camera and Electrical Department | |||
| Norman Harris | .... | gaffer | |
| Richard Moran | .... | key grip | |
| Richard Quinlan | .... | gaffer: New York | |
| Roger Shearman | .... | camera operator (as Roger Sherman Jr.) | |
| William H. Steiner | .... | camera operator: New York (as William Steiner Jr.) | |
| Mel Traxel | .... | still photographer | |
| Robert Ward | .... | key grip: New York | |
| Josh Weiner | .... | still photographer: New York | |
| Doug Byers | .... | electrician (uncredited) | |
| Vinnie Gerardo | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Seth Banks | .... | wardrobe: men | |
| Shirlee Strahm | .... | wardrobe: women | |
Editorial Department | |||
| Margaret Booth | .... | supervising editor | |
| Barbara Dunning | .... | assistant editor | |
| Michael A. Stevenson | .... | assistant editor | |
Music Department | |||
| Dave Grusin | .... | music adaptor | |
| Harry E. Liguski | .... | music supervisor | |
| Harry V. Lojewski | .... | music supervisor | |
| Ted Whitfield | .... | music editor | |
Other crew | |||
| Martin Danzig | .... | location manager: New York | |
| Wayne Fitzgerald | .... | titles | |
| Regina Gruss | .... | unit publicist | |
| Shirley Marcus | .... | production secretary: New York | |
| Cynnie Troup | .... | script supervisor | |
| Maggie Wilde | .... | production secretary | |
| Mary Malin | .... | assistant: Ann Roth (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Neil Simon is consistent. He loves to use and reuse the "ODD COUPLE" plot with variations in one play or another: in the original ODD COUPLE, it's female version (shown in the early 1990s), the sequel film with Walter Matthau and Jack Lemmon, the play (and movie) THE SUNSHINE BOYS - where the apartment is a lifelong comedy team partnership, and this one. Here it is Marcia Mason and her daughter, Quinn Cummings, who are always being deserted by Mason's husband or her series of boy-friends who usually are actors. Mason has become determined never again to trust or date an actor. But the apartment happens to be in the name of her last boyfriend, and he has made a subletting deal with out-of-town actor Richard Dreyfus. Dreyfus is determined to stay in the apartment while in New York (he is starring in a production within the city - off Broadway). He and Mason gradually agree to cease their hostilities and to share the apartment, but Mason finds Dreyfus weird: he is only eating special food, and he chants and plays the guitar at night. On the other hand Quinn Cummings finds he's not such a bad guy (he helps her when she has a headache, relaxing her to sleep).
The play that Dreyfus is appearing in the lead role in is Shakespeare's RICHARD III. It is being produced by Paul Benedict (a rare big part for that good comic actor), but his ideas about the production are upsetting Dreyfus. Dreyfus is approaching the role in the classical, "Olivier" form - the master, evil Machiavellian monarch. Machiavellian to be sure in Benedict's version, but also gay. As Benedict pushes it, it is the story of "the Queen who would be King". Dreyfus's performance of the play within the film, following Benedict's direction, is an everlasting comic joy.
The highs and lows of the two warring suite mates follows a romantic course, as they gradually fall in love with each other. Will this actor prove to be another one of those typically selfish actors that Mason resents, or will he prove to be different to her and Cummings - will he be the real love of her life?
A first rate comedy, and Dreyfus' Oscar - a well earned one.