Aboard the cargo vessel converted into a luxury cruise ship, S.S. Campari, somewhere in the Caribbean is lying in port, due to a succession of delays. Chief Officer Johnny Carter, who has ...
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Aboard the cargo vessel converted into a luxury cruise ship, S.S. Campari, somewhere in the Caribbean is lying in port, due to a succession of delays. Chief Officer Johnny Carter, who has to put up with a moody Captain, and the unwanted charms of the beautiful young Susan Beresford, realizes these delays are due to sabotage, and that there is something seriously wrong. When the Campari finally sails, a member of the crew is suddenly missing. An unsuccessful stem to stem search for the crew member, with violence suddenly erupting endangers the whole ship. The ship is then controlled by a master criminal, whose intention is not a simple hijacking and ransoming of the wealthy hostages on board. So, what exactly does he have in mind? Written by
"Golden Rensezvous" looks and sounds a lot like a TV movie, but the one thing that is quite un-TV-like about it, at least for its era, is the amount of violence it contains: lots of bloody squibs, stabbings, even a massacre of innocent people. The film is also notable for its similarities to "Die Hard", which came out a decade later: terrorists and hostages in a confined space (this time, a ship), and one resourceful hero who has to fight them from the inside. Of course you have to ignore the various implausibilities, like the astonishingly easy way in which the bad guys smuggle themselves AND a bomb inside the ship. Unfortunately, Richard Harris, who is usually an excellent actor (check out the same year's "Orca" for an example), seems to be operating on autopilot here, except when he's in action. Ann Turkel is decorative most of the way, until she picks up a machine gun near the very end. There are some other big names in the cast, but most of them are almost completely wasted. The movie gets a passing grade, but you can see why it is largely forgotten today. ** out of 4.
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