| Sophia Loren | ... | Antonietta | |
| Marcello Mastroianni | ... | Gabriele | |
| John Vernon | ... | Emanuele, the husband of Antonietta | |
| Françoise Berd | ... | Caretaker | |
| Patrizia Basso | ... | Romana | |
| Tiziano De Persio | ... | Arnaldo | |
| Maurizio Di Paolantonio | ... | Fabio | |
| Antonio Garibaldi | ... | Littorio | |
| Vittorio Guerrieri | ... | Umberto | |
| Alessandra Mussolini | ... | Maria Luisa | |
| Nicole Magny | ... | Officer's Daughter | |
| rest of cast listed alphabetically: | |||
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
| Benito Mussolini | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Ettore Scola | |||
Writing credits(in alphabetical order) | ||
| Maurizio Costanzo | collaboration | |
| Ruggero Maccari | screenplay | |
| Ettore Scola | screenplay | |
Produced by | |||
| Carlo Ponti | .... | producer | |
Original Music by | |||
| Armando Trovajoli | (as Armando Trovaioli) | ||
Cinematography by | |||
| Pasqualino De Santis | |||
Film Editing by | |||
| Raimondo Crociani | |||
Production Design by | |||
| Luciano Ricceri | |||
Set Decoration by | |||
| Luciano Ricceri | |||
Costume Design by | |||
| Enrico Sabbatini | |||
Makeup Department | |||
| Franco Freda | .... | makeup artist | |
| Ada Palombi | .... | hair stylist | |
Production Management | |||
| Maurizio Anticoli | .... | production supervisor | |
| Giorgio Scotton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Silvio Ferri | .... | assistant director | |
| Marco Pettini | .... | assistant director (uncredited) | |
Art Department | |||
| Ezio Di Monte | .... | assistant production designer | |
Sound Department | |||
| Luciano Anzellotti | .... | sound effects | |
| Franco Bassi | .... | sound mixer | |
| Cesare D'Amico | .... | dialogue editor | |
| Alvaro Orsini | .... | boom operator | |
| Carlo Palmieri | .... | sound recordist | |
Camera and Electrical Department | |||
| Aldo Colanzi | .... | key grip | |
| Luciano Leoni | .... | gaffer | |
| Marcello Mastrogirolamo | .... | assistant camera | |
| Idelmo Simonelli | .... | camera operator | |
Costume and Wardrobe Department | |||
| Berta Betti | .... | seamstress | |
| Giuseppina Delli Carpini | .... | seamstress | |
| Giovanni Viti | .... | assistant costume designer | |
Editorial Department | |||
| Graziella Di Giovanni | .... | assistant editor | |
| Nicola Tocci | .... | color technician | |
| Pina Triunveri | .... | assistant editor | |
Other crew | |||
| Vivien Boden | .... | production secretary | |
| Sergio Bologna | .... | administrator | |
| Gianfranco Lelj | .... | photographic services | |
| Ilde Muscio | .... | script supervisor | |
| Paola Scola | .... | script supervisor | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
I too was quite astonished to see how few people had voted on this film, and just HAD to write something about it, although my comments are quite similar to those written already.
I like many things about the film. The superb acting between Mastroianni & Loren. The way the film is narrated: Humanity and love slowly developing between these two outsiders, and contrasted to the simultaneously & continuously ongoing inhumane marching pace of the fascist radio announcer (who happens to be a colleague of Mastroianni's part)and the adherents "going to and coming from the show". To me this is a very fine film about what it is to be human. Maybe some of you would argue that the anti-fascist "message" is too clearly delivered, but to me this didn't destroy the film in any way. My vote is 10/10.