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A Special Day (1977)
"Una giornata particolare" (original title)

 -  Drama  -  October 1977 (USA)
8.0
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Ratings: 8.0/10 from 5,240 users  
Reviews: 28 user | 10 critic

Two neighbors, a persecuted journalist and a resigned housewife, meet during Hitler's visit in Italy in 1938.

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(collaboration), (screenplay), 1 more credit »
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Nominated for 2 Oscars. Another 13 wins & 2 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...
Emanuele, the husband of Antonietta
Françoise Berd ...
Caretaker
Patrizia Basso ...
Romana
Tiziano De Persio ...
Arnaldo
Maurizio Di Paolantonio ...
Fabio
Antonio Garibaldi ...
Littorio
Vittorio Guerrieri ...
Umberto
Alessandra Mussolini ...
Maria Luisa
Nicole Magny ...
Officer's Daughter
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Storyline

The film is set during the late 1930s: the occasion is the first meeting between Mussolini and Hitler. Left alone in her tenement home when her fascist husband runs off to attend the historic event, Sophia Loren strikes up a friendship with her mysterious neighbor Mastroianni. As the day segues into night, Loren and Mastroianni develop a very special relationship that will radically alter both of their outlooks on life. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A special film about two special people.

Genres:

Drama

Certificate:

See all certifications »

Parents Guide:

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Details

Country:

|

Language:

Release Date:

October 1977 (USA)  »

Also Known As:

A Special Day  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

Hitler's address, heard in the background, is not from his visit to Rome but from the 1934 Nuremberg Party Meeting, more particularly from his address to the German Youth on the third day. He's heard summoning them to be "strong and peaceful", "courageous and peace-loving". See more »

Quotes

Gabriele: Order is the virtue of the mediocrity.
See more »

Connections

Referenced in La tarea (1991) See more »

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User Reviews

SIMPLY BEAUTIFUL
13 June 2003 | by See all my reviews

I just saw this film for the second time today, and for the first time in the movies (it was a release of a new print).

I found it even more beautiful than the first time, if that is possible. The most striking thing about it, from a cinematic point of view, is that everything is so simple. Two people: a tired housewife and a homosexual unemployed radio-announcer. Two actors: Loren and Mastroianni. One empty building. A fascist parade going on outside. And with just this elements Scola constructs a beautiful and touching masterpiece.

Today, you can see films with far more technical resources, wonderful locations, enormous casts and complex storylines - yet they rarely if ever achieve the level of beauty of something like this. Does beauty lie in simplicity? Or is it Scola who makes it seem so easy? I wonder. Other films by Scola (`Brutti, Sporchi, Cattivi', `Il Viaggio del Capitan Fracassa', etc.) are also very good, but this is the best one.

By the way, I once saw Mr. Ettore Scola in person (he came to Brazil for a conference) and he seemed to be a very kind and sympathetic soul, just as one would expect.


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