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Giornata particolare, Una (1977)
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Overview
User Rating:
Release Date:
October 1977 (USA) morePlot:
The film is set during the late 1930s: the occasion is the first meeting between Mussolini and Hitler... more | add synopsisAwards:
Nominated for 2 Oscars. Another 7 wins & 2 nominations moreUser Comments:
SIMPLY BEAUTIFUL moreCast
(Complete credited cast)| Sophia Loren | ... | Antonietta | |
| Marcello Mastroianni | ... | Gabriele | |
| John Vernon | ... | Emanuele, the husband of Antonietta | |
| Françoise Berd | ... | Caretaker | |
| Patrizia Basso | ... | Romana | |
| Tiziano De Persio | ... | Arnaldo | |
| Maurizio Di Paolantonio | ... | Fabio | |
| Antonio Garibaldi | ... | Littorio | |
| Vittorio Guerrieri | ... | Umberto | |
| Alessandra Mussolini | ... | Maria Luisa | |
| Nicole Magny | ... | Officer's Daughter |
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Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
110 minLanguage:
ItalianColor:
Color (Technicolor)Sound Mix:
MonoMOVIEmeter: 
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| Malèna | Vita è bella, La | Finestra di fronte, La | Tea with Mussolini | Water |
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I just saw this film for the second time today, and for the first time in the movies (it was a release of a new print).
I found it even more beautiful than the first time, if that is possible. The most striking thing about it, from a cinematic point of view, is that everything is so simple. Two people: a tired housewife and a homosexual unemployed radio-announcer. Two actors: Loren and Mastroianni. One empty building. A fascist parade going on outside. And with just this elements Scola constructs a beautiful and touching masterpiece.
Today, you can see films with far more technical resources, wonderful locations, enormous casts and complex storylines - yet they rarely if ever achieve the level of beauty of something like this. Does beauty lie in simplicity? Or is it Scola who makes it seem so easy? I wonder. Other films by Scola (`Brutti, Sporchi, Cattivi', `Il Viaggio del Capitan Fracassa', etc.) are also very good, but this is the best one.
By the way, I once saw Mr. Ettore Scola in person (he came to Brazil for a conference) and he seemed to be a very kind and sympathetic soul, just as one would expect.