A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
In Phoenix, the alcoholic and mediocre detective Ben Shockley is assigned by the Chief Commissary Blakelock to bring the witness Gus Mally from Las Vegas for a minor trial. Shockley travels to Vegas and finds that Gus Mally is an aggressive and intelligent prostitute with a college degree and she tells him that the odds are against her showing up in court. Shockley learns that she will actually testify against a powerful mobster and the mafia is chasing them trying to kill them both. He calls Blakelock and request a police escort from Phoenix to protect them. But soon he discovers that someone is betraying him in the police department. Now, Shockley and Malley hijack a bus and Shockley welds thick steel plates and transforms the cabin in an armored bus trying to reach the Forum. But they will need to drive through a gauntlet of police officers armed with heavy weapons. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The movie featured chases, escapes and action sequences involving a variety of vehicles. These includes a car, a van, a bus, a train and a motorcycle. See more »
Even though the route Shockley and Gus was supposedly cleared of all traffic and pedestrians, people can be seen in parking lots along the route and vehicles can be seen crossing intersections just behind them. See more »
[kicks Eastwood in the testicles]
Sorry, just had to jog your thinking!
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A disclaimer at the end reads: "Law enforcement procedures depicted in this film do not necessarily represent those of any law enforcement agency mentioned herein." See more »
Theatre of the absurd -- Clint-style. This fast-paced, mindless, often silly film always remains true to itself, and thus succeeds on its terms. Excessive violence is used repeatedly as a metaphor for absurdity. William Prince and his protege who plays Federspiel are two of the most memorable malevolent bureaucrats in film history. Supporting cast members are all in on the joke, and play it for all its worth -- even the usually uptight Sondra Locke scores wonderfully in this one. I usually abhor excessive violence, but this film really uses it for laughs. A guilty pleasure.
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