A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
In Phoenix, the alcoholic and mediocre detective Ben Shockley is assigned by the Chief Commissary Blakelock to bring the witness Gus Mally from Las Vegas for a minor trial. Shockley travels to Vegas and finds that Gus Mally is an aggressive and intelligent prostitute with a college degree and she tells him that the odds are against her showing up in court. Shockley learns that she will actually testify against a powerful mobster and the mafia is chasing them trying to kill them both. He calls Blakelock and request a police escort from Phoenix to protect them. But soon he discovers that someone is betraying him in the police department. Now, Shockley and Malley hijack a bus and Shockley welds thick steel plates and transforms the cabin in an armored bus trying to reach the Forum. But they will need to drive through a gauntlet of police officers armed with heavy weapons. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The engine of the chopper in the car-helicopter chase sequence was built without an engine for the crash sequence. The scene where the helicopter gets entangled in some cables and crashes into a high-tension tower in the canyons about twenty-five miles outside Las Vegas cost $250,000. The sequence required about two dozen people to construct a 75-85 foot tower which ended up being exploded by the special effects crew. See more »
When Josephson gets on the bus to greet Shockley and Gus at the climax of the film, his glasses disappear and reappear between shots. See more »
I was reading this article and it talked about flying. Said we'd all become just like cattle, trusting our lives to people we don't even know. Like pilots. Said we do it all the time. And like as not, we get our heads bashed in, like cattle, for being so trusting. I mean, did you ever stop to think about that? Like those pilots I dated - - hell, this article said half those guys are so snockered they don't even know what button to push. I mean hell, one minute you are flying 30,000 feet in the ...
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A disclaimer at the end reads: "Law enforcement procedures depicted in this film do not necessarily represent those of any law enforcement agency mentioned herein." See more »
A rundown cop who's always on the drink named Ben Shockley is assigned to accompany a foul-mouthed prostitute in Las Vegas to a protection program across the country in Phoenix to testify against highly placed authority figure, although first they have to get through a gauntlet of bad cops and the mob who actually want them both dead. So now the odds aren't in their favour, but Shockley is determine to do his job, no matter how big the odds are against them.
Classic Eastwood is on show here people. Although, it's not one of his greatest nor particularly original. But this reasonably familiar cop / action film delivers what it intended to do by giving us a taut little road movie across baron landscapes with a tremendous amount of brutally fast-paced shootouts and grand chase scenes. I mean a lot! To sum it up, shootouts, shootouts and even more shootouts. Watch things go boom with a lot going on at such a furious pace! What more could you want?
So you ask, why is this nothing out of the ordinary? Because this kind of thing wasn't particularly new within this era of films. There were definite shades of Dirty Harry; Eastwood's character Shockley was the exact opposite to Harry though. The one thing you'll notice is that there is no real excuse or depth behind the plot, but to stage one chaotic and stretched out shootout after another. Sometimes they feel like they go on forever! Nonetheless, they might be far-fetched and fail logic, but they're rather well set-up by director Eastwood. Giving us a sudden burst around each corner and because of that there's hardly a mundane moment uh, maybe Eastwood did overkill certain shootouts, but it did get the blood pumping! So, when the "exaggerated" climax hits the screen - at least the film was consistent in that aspect.
The performances were top-notch, with Eastwood's persona making any film his in watchable. He gives a stellar performance. Sondra Locke as Gus Mally was perfect. The chemistry between the leads was outstanding. The scathing and rough dialogue amongst them was a treat with great use of sarcasm and offbeat humour. The biting conversations truly built on the paranoia at hand with many top one-liners. This gives the film a buddy type of feel. Other key factors are the soothing blues soundtrack, well established camera shots that capture a beautiful landscape, but also the panic of the situation they face. While, there might be underlining themes running throughout the plot, I just didn't read too much into it.
Just leave your brain at the door and enjoy the total chaos and destruction that follows with your screen being sprayed with bullets! Definitely recommended for fans of Eastwood and gritty action films.
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