A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Philo Beddoe is an easy-going trucker and a great fist-fighter. With two friends - Orville, who promotes prize-fights for him, and Clyde, the orangutan he won on a bet - he roams the San ... See full summary »
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
In Phoenix, the alcoholic and mediocre detective Ben Shockley is assigned by the Chief Commissary Blakelock to bring the witness Gus Mally from Las Vegas for a minor trial. Shockley travels to Vegas and finds that Gus Malley is an aggressive and intelligent prostitute with college degree and she tells him that the odds are against her showing up in court. Shockley learns that she will actually testify against a powerful mobster and the mafia is chasing them trying to kill them both. He calls Blakelock and request a police escort from Phoenix to protect them. But soon he discovers that someone is betraying him in the police department. Now, Shockley and Malley hijack a bus and Shockley welds thick steel plates and transforms the cabin in an armored bus trying to reach the Forum. But they will need to drive through a gauntlet of police officers armed with heavy weapons. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The cave that Sondra Locke and Clint Eastwood spend overnight in is a real life landmark which is part of a group of scenic rock formations. It is known as "Hole in the Rock" and is situated in Arizona in Papago Park, Phoenix. According to Wikipedia, it "is a series of openings (tafoni) eroded in a small hill composed of bare red arkosic conglomerate sandstone. The sandstone was first formed some 6-15 million years ago, theorized to have been the accumulation of materials sliding off a much higher mountain, which, made of different materials, has long since eroded away, leaving what looks like petrified mud cakes. The tafoni are thought to have been eroded by water". See more »
When the constable says that there are about ten miles from the border it is full daylight outside. When they get close to the border it is fully dark. See more »
Exactly. Reasonable suspicion. I can go anywhere I please if I have reasonable suspicion. Now if I have suspicion a felony's been committed, I can just walk right in here anytime I feel like it, 'cause I got this badge, I got this gun, and I got the love of Jesus right here in my pretty green eyes.
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A disclaimer at the end reads: "Law enforcement procedures depicted in this film do not necessarily represent those of any law enforcement agency mentioned herein." See more »
Once again, Clint shows you why he's the best in the business.
How many rounds of ammunition can you fire into a house before it will collapse? Or maybe you'd like to see how many rounds you can fire into a bus before it will stop running. If you're interested, or if you just like Clint Eastwood, then The Gauntlet is for you! Our film centers around Clint playing a sloppy policeman from Phoenix who is assigned to transport a sassy hooker (Sondra Locke) from Las Vegas back to his jurisdiction. This will not be an easy task. First of all, this Eastwood character is no Dirty Harry. His Ben Shocklee is an alcoholic, and barely capable of doing his job. The hooker's testimony could potentially bring down some important figures, so the cops and mafia also don't want them to return to Phoenix. In addition to all that, the woman is such a bitch that even a trip across town with her would be almost too much to bear. The two are put in one harrowing situation after another as Clint proves that he has the moxy to simply "get the job done".
This film, if made by or starring inferior talent, would be nothing short of ridiculous. Several situations that arise in this film seem improbable at best, and often ludicrous. Eastwood's charm, and the razor-sharp dialog keep it moving along. You end up almost believing it could happen. Clint Eastwood is that talented. His acting and direction are as good as ever.
The film has plenty of memorable scenes. Along with the shootouts, we get some very amusing and often very funny situations. One of my favorites is when Eastwood single-handedly talks an entire motorcycle gang into surrendering one of their bikes or facing the consequences of his pistol. And what would an Eastwood/Locke film be without a scene where she is sexually assaulted? Though disturbing, the scene has a hilarious conclusion. Another scene belongs to Locke, herself. In it, she puts a foul-mouthed police flunky in his place using some very sexually explicit words.
That a film which would seemingly be quite ridiculous on paper is made into such a fine product is a testimony to the genius of Clint Eastwood. He is without a doubt my favorite actor of all time.
9 of 10 stars for The Gauntlet.
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