A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
In Phoenix, the alcoholic and mediocre detective Ben Shockley is assigned by the Chief Commissary Blakelock to bring the witness Gus Mally from Las Vegas for a minor trial. Shockley travels to Vegas and finds that Gus Malley is an aggressive and intelligent prostitute with college degree and she tells him that the odds are against her showing up in court. Shockley learns that she will actually testify against a powerful mobster and the mafia is chasing them trying to kill them both. He calls Blakelock and request a police escort from Phoenix to protect them. But soon he discovers that someone is betraying him in the police department. Now, Shockley and Malley hijack a bus and Shockley welds thick steel plates and transforms the cabin in an armored bus trying to reach the Forum. But they will need to drive through a gauntlet of police officers armed with heavy weapons. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to the book "Clint Eastwood: Hollywood's Loner" (1992) by Michael Munn, the desert hideaway house that got shot-up cost US $250,000 to construct and featured seven thousand drilled holes that were used to house explosive squibs which would be set off to simulate gunfire. A team of fifteen men worked eight hour days for a month rigging the dwelling with the squibs for a shoot-out sequence that would result in the demolition and collapses of the building. Special effects co-ordinator Chuck Gaspar said, "Needless to say, we only had once chance to film the take!". And Clint Eastwood said of the sequence that he wanted "not just an ordinary explosion...I wanted the house to collapse to the ground as though it was being eaten away by a gigantic mass of termites". See more »
When the helicopter crashes into the power lines, the copter is obviously a shell. The lack of an engine, and the mechanism where it is tied to the power lines is clearly visible. See more »
[calmly speaking like a stewardess to the passengers of the hijacked bus, as she is holding a gun]
Sorry for this inconvience, ladies and gentlemen, but at this time, I'm afraid I'll have to ask you to leave the bus. Please be sure and take all your belongings with you and I promise arrangements will be made for your continued journey as quickly as possable.
[Passengers stare at her dumbfounded]
[waves gun and shouts]
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A disclaimer at the end reads: "Law enforcement procedures depicted in this film do not necessarily represent those of any law enforcement agency mentioned herein." See more »
This baroque and utterly implausible action drama subscribes to the over-the-top theory of movie making. Huge quantities of bullets, bikers and bad apples are unleashed on Mr.Eastwood, Ms. Locke, his remand witness, and us, the audience. Eastwood executes the gauntlet with great resolve and resourcefulness: he even knows how to fortify a bus with armored plates. Clint is in peak form and Locke will never again reach the heights that she does here. Clearly, the two have wonderful screen chemistry and would remain together as a couple for more than a decade. Watching the film today, I think there is a scene that went missing--or was cut. It occurred at the beginning of the movie and involved the sadistic police commissioner and Locke's prostitute. The scene is later described in great detail by Locke when she and Clint are on the lam in a desert cave. So where is it? My dad took me to see this "R" rated film on a bitterly cold night in early February '78--it was released in late '77. I think he was unaware of the rating because I did get an eyeful that night. Make sure you see this movie letterboxed in order to absorb all the destructive power and subtle artistry on display.
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