An American lawyer on vacation in Europe is asked by a book publisher to stop by the Austrian town of Salzburg to see a photographer who's taking pictures for a book on picturesque Austrian... See full summary »
Lee H. Katzin
Klaus Maria Brandauer
Helmut is fed up traveling around he world. Coming back from Asia, he decides to stay some time in Alenxandra's house, a long time friend. She is living on a beautiful island where she is ... See full summary »
A woman's ex-husband, who is the son of an Arab chieftain, kidnaps their teenage son and brings him back to Morocco, where the boy is to be made the leader of the tribe. The child's mother ... See full summary »
A mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing activists forms... See full summary »
Rainer Werner Fassbinder
Alain Revent, a seductive and refined man, derives a peculiar satisfaction from debasing his wives. The first, driven to the brink of despair, throws herself out of a window. Enlisting the help of an equally perverse casual acquaintance, Dino, the "handsome brute" proceeds to emotionally torture his second wife, Nathalie. The sadistic plan is picked up on by Officer Leroy who suspects the truth. ... See full summary »
Duccio Tessari is well known for his staircase shots and for his ability to direct anything... Here he tries his luck at period drama, a genre that wasn't very popular in '77, at least in Italy.
With Berger, Orsini, Kraft & Kier in the cast, Alabiso at the editing table, and Trovajoli behind his piano, you'd think that you can't go wrong, no ? Well, not quite. The storyline is focusing on two brothers falling in a bottomless pit of no return, stealing banks to terrorize the German population during most of 1930. Behind their actions stand the nazis, who have a plan to try and prove the country needs a bit of brutal "cleansing".
It's all told in a very classic manner, with almost no blood shed and the story insisting on character psychology rather than linear progression. Which can bring the viewer on the verge of sleep quite rapidly...
Evelyne Kraft is gorgeous in the few scenes she's appearing, and coupled with Trovajoli's joyous score, these are the only two elements worthy of attention here.
The french canadian tape, distributed during the 80's, shows a drawing of a nazi army in front of a row of huge flags, which can bring you to think the movie's part of this silly italian "nazisploitation" wave, but it's sadly not... Now this would have been interesting from Tessari !
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