Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to ... See full summary »
Larry Sheldon is a gambler and during an argument he accidentally shoots a man. Fleeing he changes his identity, pretending to be a minister. Things are complicated when he meets a real preacher and falls in love with his daughter Doris.
Hubby and wifey are in love, but he's henpecked by her mother. A nip of whiskey gives him Dutch courage, and he storms out, declaring he won't be a domestic slave anymore. He heads for a ... See full summary »
Roscoe 'Fatty' Arbuckle
Roscoe 'Fatty' Arbuckle,
After being left for dead, the man is rescued by two Japanese soldiers, living on a remote island, who teach him the ways of the samurai. Upon returning to the USA, he quickly exacts a bloody revenge on his tormentors and reunite with his wife and son.
My first Cirio H Santiago film! This one has a brain-meltingly random premise, Afros, cool music, is choppy as hell and even throws in a bit of gore at the end there.
Russell is a Vietnam vet who's smuggled some gold with his mates Morrello and McGhee, who of course double cross him, slit his throat, throw him in the sea and head off to L.A to waste the mob there and become crime lords (as we see them blast their way through many gangs). McGhee also has the hots for Russell's wife, and periodically turns up to try and woo her (getting more aggressive with every visit).
Russell, however, washes up on a desert island, where he meets two Japanese soldiers who have never surrendered (and never will). After becoming friends and indulging in some funny banter ("You should see Japan now!"), the ranking officer (great character) teaches Russell how to slice things up good with a samurai sword, which as you know will lead Russell back to LA where he can chop his buddies, and their hired goons (Hired goons?) into little pieces.
Full of ridiculous situations, action scenes and funky music, Fighting Mad is a good bet for an exploitation fan. There's a good relationship between Russell and the Japanese officer, and just when I thought Russel would never get off that damn island, he does in a rather sad scene and the film picks up from there. Whenever the film bogs down in training sequences, Santiago just switches to L.A to show McGhee and Morrello taking on rival mobs.
Once Russell arrives in LA, he becomes an unstoppable killing machine to get to his enemies. It looked like some of the violence had been cut from the version I watched (a leg being severed), but as there were several graphic decapitations at the end, who knows? This is good for a watch if you're like me, and just switch your brain off before hitting 'play' and just go with the flow. It's cheap and cheerful and action packed what else do you want?
2 of 2 people found this review helpful.
Was this review helpful to you?