The Jefferson's honeymoon night in Hong Kong will be troubled by a number of people wishing to get hold of a Bouddha statuette that the husband offered her when window-shopping that day. ... See full summary »
Three vicious thugs are on the run in rural America after robbing a local bank. They seek refuge at the home of a reclusive farmer, but he is prepared for their arrival and holds them at ... See full summary »
Michael J. Pollard,
Tough streetwise private investigator Al Connors, who works in Florida but originally hails from Harlem, is hired by the CIA to guard a visiting African princess. Moreover, Connors uses all... See full summary »
Weng Weng is now working for the Manila branch of Interpol. The Chief sends him in the pursuit of Mr X, an arch villian with a white sock on his head, who is holding the Philippines to ... See full summary »
A hitchhiker named Martel Gordone gets in a fight with two bikers over a prostitute, and one of the bikers is killed. Gordone is arrested and sent to prison, where he joins the prison's ... See full summary »
Wilbur 'Hi-Fi' White,
Leon Isaac Kennedy,
J.J., a rising star in the black crime scene, is in the process of consolidating his power over the neighborhood. One of the only remaining obstacles is the white heroin cartel that is ... See full summary »
The world's water supply has dried up due to some sort of apocalypse. A beautiful woman holds the secret to where one of the last springs being guarded by a group of Amazons. A "Road ... See full summary »
Cirio H. Santiago
'swarthy, machismo-soaked, leather-clad heroics from Santiago!
With the belated rise in popularity of Asian exploitation; towering grindhouse icon, Cirio H. Santiago has become somewhat of a bona fide underground cinematic hero; this is due in no small part to his series of low-budget, high-octane, post Apocalyptic actioners, and ribald entertainments that so did exceptionally well during home video boom of the 80's. The doyen of post holocaust automotive Armageddon, Santiago perfected the machismo-soaked iconography of swarthy, leather-clad heroics where dusty, embattled muscle cars, festooned with gaudy Motley Crue accouterments blazed a furious trail of carnage across a noxious, corrupted landscape, where brutality and automotive prowess were the only viable remaining currency. Santiago directed these dystopian vistas with their crimson-hued skyline, mottled by the choking dust of deathly radioactivity with great gusto; so it came as no great surprise to discover that his earlier title, and wildly entertaining revenger, 'Fighting Mad' (aka) 'Death Force' was by no means an impoverished backwoods cousin to his better known PA extravaganza's. Brawny, James Inglehart is part of a roguish trio of opportunistic thugs and after a particularly frantic blag upon a yacht, things go south, he is left to rot in the midst of the briny sea. Being a purebred Grindhouse classic, the film's unerring goal is unrelenting revenge; and after washing up on a deserted island he is trained by two Japanese soldiers stranded there since the end of WW2; naturally we have to endure a little ham-fisted cross cultural observations pre-chop sock, but swiftly, Santiago constructs some amusing training vignettes, while not on par with '36 chambers of shaolin' they prove to be an excellent aperitif before our vengeful black samurai (fortunately not the dire Al Adamson interpretation) replete with diamond-edged Katana blade proceeds to exact a most furious and dreadful revenge. Ostensibly 'Fighting Mad' is the timeless fable of a muscular, super-irked black man decapitating dumbbell Mafiosi with a diamond edged katana blade..so what's not to like?
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