Exorcist II: The Heretic (1977)
"it all comes down to audience expectations. The film that I made, I saw as a kind of riposte to the ugliness and darkness of The Exorcist - I wanted a film about journeys that was positive, about good, essentially. And I think that audiences, in hindsight, were right. I denied them what they wanted and they were pissed off about it - quite rightly, I knew I wasn't giving them what they wanted and it was a really foolish choice. The film itself, I think, is an interesting one - there's some good work in it - but when they came to me with it I told John Calley, who was running Warner Bros. then, that I didn't want it. "Look," I said, "I have daughters, I don't want to make a film about torturing a child," which is how I saw the original film. But then I read a three-page treatment for a sequel written by a man named William Goodhart and I was really intrigued by it because it was about goodness. I saw it then as a chance to film a riposte to the first picture. But it had one of the most disastrous openings ever - there were riots! And we recut the actual prints in the theatres, about six a day, but it didn't help of course and I couldn't bear to talk about it, or look at it, for years."