A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased 'Gemini' serial killer, lead him to question the patients of a psychiatric ward.
Years before Father Lankester Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.
Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
Dr. Gene Tuskin works with troubled children, perhaps none more troubled than Regan MacNeil, who suffers from bad dreams and repressed memories. The memories she represses are of the time she was possessed by a demon. Dr. Tuskin's invention, a device that hypnotizes two persons and links their minds together, reveals that the demon, named Pazuzu, still lurks within her. It is desperate to emerge again and wreak havoc. Meanwhile, Father Philip Lamont is ordered by his cardinal to investigate the death of Father Merrin, the priest who died while performing an exorcism on Regan. Father Lamont undertakes his task reluctantly. He feels unworthy of his assignment. He also feels that Evil is literally an entity and that this entity is winning the battle over Good. His investigation takes him to Africa where he locates another recipient of Merrin's exorcising and learns something fascinating and terrible about locusts. Written by
The production was refused permission to film at just about every location they asked for (including the house from the first film), leading to them having to recreate everything on the studio backlot and inflating the $9,000,000 budget all the way up to $14,000,000. See more »
When Regan is watching Father Lamont give in to the Regan-demon, we hear her moan "No. Please." But her mouth doesn't form the word 'Please'. See more »
Father! Agh! Agh! Oh, Father!
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Tap Dance Routine Choreographed by Daniel Joseph Giaghi See more »
Boorman is a real unique talent, who constantly shows us the world from an unusual perspective. This is one of his most annoyingly idiosyncratic films when seen for the first time. Yet it's so alive and full of ideas, that it remains stimulating when the original film is reduced in memory to a few gory set pieces. Some of the images are as great as any in film history and the music score is terrific. It has lots of things wrong with it, but on the whole, it is a candidate for the most underrated film ever made.
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