A salvage crew that discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea soon notices, as they prepare to tow it back to land, that "strange things" happen...
The murderous fisherman with a hook is back to once again stalk the two surviving teens, Julie and Ray, who left him for dead, as well as cause even more murder and mayhem, this time at a posh island resort.
Jennifer Love Hewitt,
Freddie Prinze Jr.,
Dr. Gene Tuskin works with troubled children, perhaps none more troubled than Regan MacNeil, who suffers from bad dreams and repressed memories. The memories she represses are of the time she was possessed by a demon. Dr. Tuskin's invention, a device that hypnotizes two persons and links their minds together, reveals that the demon, named Pazuzu, still lurks within her. It is desperate to emerge again and wreak havoc. Meanwhile, Father Philip Lamont is ordered by his cardinal to investigate the death of Father Merrin, the priest who died while performing an exorcism on Regan. Father Lamont undertakes his task reluctantly. He feels unworthy of his assignment. He also feels that Evil is literally an entity and that this entity is winning the battle over Good. His investigation takes him to Africa where he locates another recipient of Merrin's exorcising and learns something fascinating and terrible about locusts. Written by
During the filming, director John Boorman contracted San Joaquin Valley Fever (a respiratory fungal infection), which caused filming to be suspended for five weeks. It was determined to be caused from the dust used in the African sets from the film. See more »
When Regan wakes up in hospital, she removes the IV needle from her arm, but in subsequent shots, there is no IV drip bag stand next to her bed. See more »
Father! Agh! Agh! Oh, Father!
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Tap Dance Routine Choreographed by Daniel Joseph Giaghi See more »
Boorman is a real unique talent, who constantly shows us the world from an unusual perspective. This is one of his most annoyingly idiosyncratic films when seen for the first time. Yet it's so alive and full of ideas, that it remains stimulating when the original film is reduced in memory to a few gory set pieces. Some of the images are as great as any in film history and the music score is terrific. It has lots of things wrong with it, but on the whole, it is a candidate for the most underrated film ever made.
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