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A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased 'Gemini' serial killer, lead him to question the patients of a psychiatric ward.
Years before Father Lancaster Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.
Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
Dr. Gene Tuskin works with troubled children, perhaps none more troubled than Regan MacNeil, who suffers from bad dreams and repressed memories. The memories she represses are of the time she was possessed by a demon. Dr. Tuskin's invention, a device that hypnotizes two persons and links their minds together, reveals that the demon, named Pazuzu, still lurks within her. It is desperate to emerge again and wreak havoc. Meanwhile, Father Philip Lamont is ordered by his cardinal to investigate the death of Father Merrin, the priest who died while performing an exorcism on Regan. Father Lamont undertakes his task reluctantly. He feels unworthy of his assignment. He also feels that Evil is literally an entity and that this entity is winning the battle over Good. His investigation takes him to Africa where he locates another recipient of Merrin's exorcising and learns something fascinating and terrible about locusts. Written by
The production was refused permission to film at just about every location they asked for (including the house from the first film), leading to them having to recreate everything on the studio backlot and inflating the $9,000,000 budget all the way up to $14,000,000. See more »
When Regan wakes up in hospital, she removes the IV needle from her arm, but in subsequent shots, there is no IV drip bag stand next to her bed. See more »
Father! Agh! Agh! Oh, Father!
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Tap Dance Routine Choreographed by Daniel Joseph Giaghi See more »
Poor John Boorman. He has all these great ideas, but whenever he tries to put them to the screen, the result is so damn goofy you can't tell whether you're watching a metaphysical drama or a slapstick comedy (for more on this, see "Zardoz"). His "Exorcist" sequel is miles below the original if you're looking for scares, but miles above it in terms of actual storytelling, plot, character development, etc. It's full of interesting ideas (the most interesting being the idea of pure goodness as a magnet for evil), and Regan turns into an angelic heroine out to stop the demon that once possessed her. But Boorman's wacko imagery, while fascinating in places (the doves, the locusts), tends to get a little TOO wacko, to the point where you can't help laughing (the hypnosis machine, Richard Burton putting out a fire with a wooden crutch, James Earl Jones spitting up a tomato).
If you can accept the fact that this is a completely different movie than the original, you might find that it's a pretty good movie on its own. Fantastic acting from Burton, a wonderful score, and some truly gorgeous visuals, especially the climactic scene in the house, make it one of the most underrated movies of all time. Even if some scenes leave you falling over with laughter.
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