| Photos (See all 24 | slideshow) |
| Joan Collins | ... | Marilyn Fryser | |
| Robert Lansing | ... | Dan Stokely | |
| John David Carson | ... | Joe Morrison | |
| Albert Salmi | ... | Sheriff Art Kincade | |
| Jacqueline Scott | ... | Margaret Ellis | |
| Pamela Susan Shoop | ... | Coreen Bradford (as Pamela Shoop) | |
| Robert Pine | ... | Larry Graham | |
| Edward Power | ... | Charlie Pearson | |
| Brooke Palance | ... | Christine Graham | |
| Tom Fadden | ... | Sam Russell | |
| Irene Tedrow | ... | Velma Thompson | |
| Harry Holcombe | ... | Harry Thompson | |
| Jack Kosslyn | ... | Thomas Lawson | |
| Ilse Earl | ... | Mary Lawson | |
| Janie Gavin | ... | Ginny | |
| Norman Franklin | ... | Anson Parker | |
| Florance McGee | ... | Phoebe Russell (as Florence McGee) | |
| Jim Wheelus | ... | Crewman | |
| Mike Armstrong | ... | Jim | |
| Tom Ford | ... | Pete | |
| Charles Redd | ... | Taxi Driver (as Charles Red) | |
| rest of cast listed alphabetically: | |||
| Marvin Miller | ... | Voice (uncredited) | |
Directed by | |||
| Bert I. Gordon | |||
Writing credits | ||
| H.G. Wells | (story) | |
| Jack Turley | (screenplay) | |
| Bert I. Gordon | (screen story) | |
Produced by | |||
| Samuel Z. Arkoff | .... | executive producer | |
| Bert I. Gordon | .... | producer | |
Original Music by | |||
| Dana Kaproff | |||
Cinematography by | |||
| Reginald H. Morris | (director of photography) (as Reginald Morris) | ||
Film Editing by | |||
| Michael Luciano | |||
Casting by | |||
| Betty Martin | |||
Production Design by | |||
| Charles Rosen | |||
Set Decoration by | |||
| Anthony C. Montenaro | |||
Makeup Department | |||
| Ellis Burman Jr. | .... | special makeup artist (as Ellis Burman) | |
| Guy Del Russo | .... | makeup artist | |
| Romaine Greene | .... | hairdresser | |
| Dave Ayres | .... | creature lab (uncredited) | |
Production Management | |||
| Salvatore Billitteri | .... | in charge of post-production | |
| Neil A. Machlis | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Adrienne Bourbeau | .... | second assistant director (as Adrienne Borbeau) | |
| Mel Efros | .... | assistant director | |
| David McGiffert | .... | assistant director | |
| James Quinn | .... | second assistant director | |
Art Department | |||
| Dominick Bruno | .... | property master | |
| Tommy Magglos | .... | assistant props (as Tommy Maglos) | |
| Roger Ragland | .... | construction coordinator (uncredited) | |
Sound Department | |||
| William L. Manger | .... | dialogue editor (as Bill Manger) | |
| James M. McCann | .... | boom operator | |
| Samuel C. Crutcher | .... | assistant sound editor (uncredited) | |
| Duncan McEwan | .... | sound loader (uncredited) | |
Special Effects by | |||
| Roy L. Downey | .... | special effects (as Roy Downey) | |
Visual Effects by | |||
| Bert I. Gordon | .... | special visual effects | |
| Burt I. Harris Jr. | .... | visual effects assistant | |
| Erik von Buelow | .... | miniature designer | |
Stunts | |||
| Billy Hank Hooker | .... | stuntman (as Hank Hooker) | |
| Buddy Joe Hooker | .... | stunt coordinator | |
| Hugh Hooker | .... | stuntman (as Hugh M. Hooker) | |
Camera and Electrical Department | |||
| William D. Barber | .... | second assistant camera (as Bill Barber) | |
| Dick Deats | .... | key grip | |
| Lee Heckler | .... | lighting | |
| Ken Miller | .... | dolly operator (as Kenny Miller) | |
| Lou Noto | .... | first assistant camera | |
| Jerome L. Posner | .... | best boy (as Jerry Posner) | |
| Vincent Saizis | .... | camera operator (as Vince Saizus) | |
Costume and Wardrobe Department | |||
| Joanne Haas | .... | costumer | |
Editorial Department | |||
| Bill Berry | .... | negative cutter | |
| Tom Finan | .... | assistant editor | |
Music Department | |||
| Bodie Chandler | .... | music coordinator | |
| Ving Hershon | .... | music editor | |
Transportation Department | |||
| James E. Foote | .... | transportation captain (as Jim Foote) | |
Other crew | |||
| Carline Davis-Dyer | .... | assistant to director (as Cariline Anne Davis) | |
| Carline Davis-Dyer | .... | assistant to producer (as Cariline Anne Davis) | |
| Warren Estes | .... | ant coordinator | |
| Charles Hogue | .... | technical advisor (as Dr. Charles Hogue) | |
| Julian F. Myers | .... | publicist (as Julian F. Meyers) | |
| Leslie Sue Rosen | .... | location secretary | |
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| Them! | The Island of Dr. Moreau | The Food of the Gods | The Strange World of Planet X | Island of Lost Souls |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
An eminent intro with a neat voice-over makes us aware that ants actually are as sophisticated as humans (if not more sophisticated). This is the perfect introduction to one of the most grotesque creature-features ever unleashed upon horror cinema. Bert Gordon's Empire of the Ants, ladies and gentlemen! In this story, supposedly adapted from an H.G. Well's tale, the ravishing Joan Collins stars as a fancy estate agent who tries to sell island properties to a bunch of phonies pretending they have money. The joy is barbarically interrupted by a colony of humongous ants! The monstrous bugs have mutated into unearthly beings due to toxic waste (figures ). EofA is often categorized as one the worst 70's shlockfests, partly because it's from the hand of Gordon. But try to look at it as pure fun and cult entertainment that doesn't require brain activity. It's a troop of hairy, over-sized and especially cheaply created ants eating people one by one. Nothing more, nothing less. Still, the island location is eerie and the sound effects are more or less decent. Joan Collins, one of my personal favorite actresses, is great as the bitchy broad. The rest of the cast are stereotypes, like the loser turned hero, the old wise guy the egocentric coward (who nearly always dies spectacularly) and the cute babe. I hardly consider the overuse of all these clichés to be obstacles since I never expected to see a masterpiece to begin with. The only real crap elements are the weak dialogs and the complete lack of atmosphere and tension. Empire of the Ants does feature a brilliant, typical B-movie twist near the end, though. But that's just my opinion and I'm sure that most people will find it too stupid for words. Nevertheless, Empire of the Ants is a must-see if you're in to "big bug"-movies. This sub-genre of horror is going through a revival these days and it's essential to watch the influential gems that once started it all. Also recommended: "Tarantula", "The Bees", "Frogs", "Phase IV" (more ants), "Kingdom of the Spiders" and "The Deadly Mantis".