| Romy Schneider | ... | Marie | |
| Bruno Cremer | ... | Georges | |
| Claude Brasseur | ... | Serge | |
| Roger Pigaut | ... | Jérôme | |
| Arlette Bonnard | ... | Gabrielle | |
| Francine Bergé | ... | Francine | |
| Sophie Daumier | ... | Esther | |
| Eva Darlan | ... | Anna | |
| Nadine Alari | ... | La gynécologue | |
| Vera Schroeder | ... | Françoise | |
| Pierre Semmler | ... | Patrick (as Peter Semler) | |
| Barbara Rix | |||
| Jean-François Garreaud | ... | Christian (as Jean-François Garreau) | |
| Yves Knapp | ... | Martin | |
| Nicolas Sempe | ... | Maurice (as Nicolas Sempé) | |
| Cadine Constan | |||
| Pierre Forget | ... | Le délégué syndical | |
| Michel Debost | ... | Michel | |
| Jacques Sereys | ... | Charles | |
| Madeleine Robinson | ... | La mère / Mother | |
| rest of cast listed alphabetically: | |||
| Jean Deschamps | ... | M. Chenal (uncredited) | |
| Patricia Francis | ... | La caissière (uncredited) | |
| Xavier Gélin | ... | Denisold (uncredited) | |
| Blanche Ravalec | ... | Maggy (uncredited) | |
Directed by | |||
| Claude Sautet | |||
Writing credits(in alphabetical order) | ||
| Jean-Loup Dabadie | dialogue | |
| Claude Sautet | writer | |
Produced by | |||
| Horst Wendlandt | .... | producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Jean Boffety | |||
Film Editing by | |||
| Jacqueline Thiédot | |||
Production Design by | |||
| Georges Lévy | |||
Sound Department | |||
| Vincent Arnardi | .... | sound mix technician | |
| Pierre Lenoir | .... | sound | |
Other crew | |||
| Peter Fernandez | .... | voice director: English version | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This was the fifth and last collaboration of Romy Schneider and Claude Sautet. Sautet did for her what von Sternberg did for Marlene Dietrich--gave her star quality in well-written vehicles. Cesar et Rosalie and Les choses de la vie are wonderful to watch today; they have pace and drama, plenty of verve. Une Histoire simple, by contrast, has little drama, slack pace and characters you don't get involved with. The group dynamic-the characters all working in the same company-lowers the interest. It's a film made to please a feminist segment of the population, like Mazursky's An Unmarried Woman.