Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords ... See full summary »
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords time and time again in an attempt to achieve justice and preserve their honor. Written by
Greg Bole <firstname.lastname@example.org>
The Joseph Fouché character in this film (played by Albert Finney) was the First French Duc d'Otrante, this title is often known in English translations as the Duke of Otranto. The characters of Armand D'Hubert and Gabriel Feraud in this film and its source 'Joseph Conrad' short-story had names which were slightly altered by Conrad from the real life duelist Hussars who inspired the characters. They were called Pierre-Antoine comte Dupont de l'Étang and François Louis Fournier-Sarlovèze respectively. As such, in short, Dupont became D'Hubert and Fournier became Feraud. See more »
When d'Hubert and the doctor discuss the ways of avoiding duels with Feraud, the doctor brings two bottles of wine. He hands d'Hubert a corkscrew, but d'Hubert leans back in his chair and starts stuffing his pipe. Yet literally two seconds later the doctor also sits down and picks up a glass from the table, where an opened bottle is standing. d'Hubert has also suddenly got a full glass. See more »
The duellist demands satisfaction. Honour, for him, is an appetite. This story is about an eccentric kind of hunger. It is a true story and begins in the year that Napoleon Bonaparte became ruler of France.
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Opening credits prologue: STRASBOURG 1800 See more »
Often, when you watch a movie, you can tell when it was made.
It deals with the mores and prejudices of the time it was made. The costumes are done without attention to detail or the hair-styles of the leading actors don't belong to the time when the movie is supposed to be taking place.
Not this movie.
It deals with timeless themes: courage, fate, inevitability,
honor. The costumes are impeccable, and even the hair-styles change as time progresses, exactly as the fashions changed during the times of the Napoleon. Without knowing the actors (though the cast is composed of excellent, justifiably famous artists), there is no way to tell it was made in 1977. It might have been made yesterday, or it might have been filmed on the spot.
If you enjoy a movie where attention was paid to every detail to make it a true piece of art, if you enjoy dramatic photography thoughtful themes, and just the barest suggestion of dry humor, this is the movie for you.
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