Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords ... See full summary »
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords time and time again in an attempt to achieve justice and preserve their honor. Written by
Greg Bole <email@example.com>
The duelists that the film's dueling lead characters were based on fenced their first duel in the year of 1794. The loser gentlemanly demanded a rematch. However, there was not just one more duel, there were thirty more conducted over nearly the next twenty years after. The two officers fought in a variety of ways: both horse mounted and on foot, and with sabres, rapiers and swords. See more »
At the start all the soldiers wear side plaits in their hair. When Laura writes "Goodbye" on D'Hubert's sword, he walks in with no plaits. He then fights a duel with plaits and visits the general with plaits. In the next scene we hear "military fashions have changed" and everyone is without plaits. See more »
The duellist demands satisfaction. Honour, for him, is an appetite. This story is about an eccentric kind of hunger. It is a true story and begins in the year that Napoleon Bonaparte became ruler of France.
See more »
Opening credits prologue: STRASBOURG 1800 See more »
A really wonderful movie that lives from the great script, the exceptionally good actors (from the major to the minor roles), the very well done directing and an outstanding score. The cast is really good, from the main actors to Diana Quick and to such interesting and sadly underrated actors as Morgan Sheppard and Liz Smith. This movie shows that, provided with a good script, Ridley Scott once was able to do really good movies. If you think this movie is heartless just compare this debut with the first movie done by Ridley's brother Tony, the hollow "The Hunger". The only drawback is his taste for sometimes overdone and unnatural photography. The script is surprisingly faithful to the original story by Joseph Conrad (that one really should read). If you are looking for a movie full of style and grace you will find it here!
29 of 35 people found this review helpful.
Was this review helpful to you?