Apple and Ridley Scott presented the most awaited event of 1984: the introduction of Apple Macintosh personal computer to the world. With a concept directly influenced by George Orwell's ... See full summary »
Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords time and time again in an attempt to achieve justice and preserve their honor. Written by
Greg Bole <email@example.com>
The Joseph Fouché character in this film (played by Albert Finney) was the First French Duc d'Otrante, this title is often known in English translations as the Duke of Otranto. The characters of Armand D'Hubert and Gabriel Feraud in this film and its source 'Joseph Conrad' short-story had names which were slightly altered by Conrad from the real life duelist Hussars who inspired the characters. They were called Pierre-Antoine comte Dupont de l'Étang and François Louis Fournier-Sarlovèze respectively. As such, in short, Dupont became D'Hubert and Fournier became Feraud. See more »
When Carradine is meeting with Finney, who sits down in a chair in front of a mirror, the very top of the camera is visible in the bottom of the mirror, as he sits down in his chair. See more »
The duellist demands satisfaction. Honour, for him, is an appetite. This story is about an eccentric kind of hunger. It is a true story and begins in the year that Napoleon Bonaparte became ruler of France.
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Opening credits prologue: STRASBOURG 1800 See more »
This /is/ one of the best sword-fighting movies ever made, in that the choreography doesn't look like choreography. In the fight sequences, there's that rare sense of reticence, chance, uncertainty: of men thinking while they fight and trying to stay alive (The battle scenes in Kurosawa seem to me to share the same quality).
What sets this film apart (beyond its sheer visual gorgeousness) is its unremitting humanity and realism. Carradine as the protagonist is a decent enough, reasonable enough chap trying to live by an unreasonable and inflexible code. Keitel as Feraud is a cipher: charged with a wholly unreasonable hate the sources of which we never see. The movie steps through the ups and downs of war, fashion, politics. Though the film's structured around a series of violent combats, the struggle is finally a moral one. One man finally transcends the ideal of honor that's kept him a prisoner for fifteen years. The other is unable to.
This is a movie to watch, and to recommend to one's friends. It's lamentably not available yet in DVD, but can be found occasionally as a rental. Watch it for the costumes, the lighting, and the gorgeous camerawork. Watch it again for a movie that takes on The Big Issues. Brilliant.
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