A suburban housewife's world falls apart when her pornographer husband admits he's serially unfaithful to her, her daughter gets pregnant, and her son is suspected of being the foot-fetishist who's been breaking local women's feet.
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but... See full summary »
Notorious Baltimore criminal and underground figure Divine goes up against a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of ... See full summary »
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
A rich housewife murders her husband with the help of her overweight maid, and the two go on the run, ending up in Mortville, a town providing refuge for criminals. They shack up with a lesbian ex-wrestler and her murderess lover, before running into the tyrannical Queen Carlotta, ruler of Mortville... Written by
Michael Brooke <email@example.com>
The only John Waters film to date set in what is virtually an alternate universe -- the town of Mortville, Maryland -- a disgusting shantytown that inexplicably is governed by its own fascist Empress (Edith Massey), who is both cruel and unusual, and who lives in a Disneyland-like castle. This film is hard-core, undistilled Waters, working in his Classic Period that includes "Pink Flamingos" (his breakthrough film) and "Female Trouble" (possibly his greatest work). Filming without his leading lady/leading man, Divine, "Desperate Living" emerges as more of an ensemble film featuring notorious Hollywood starlet Liz Renay, Waters regular Mink Stole, and Jean Hill, discovered and making a striking debut herein. "Desperate Living" is audacious and fevered and yet has a naive quality to it, typical of Waters' artistic charm. Filmed on a shoestring budget, the film benefits from creative and eye-filling sets by Vince Peranio and costumes by Van Smith. It is a fusion of the surreal, the self-consciously rude and outrageous, and an homage to bad movies past. Acted out in a raucous, strident fashion favored by the director that punches every word across with triple exclamation points, "Desperate Living" is the pinnacle of Waters' wild style. It was followed by a comparatively more demure "Polyester" with Divine returning to the starring role, toned down for wider audience appeal. Needless for me to add, this film isn't for everyone nor was it meant to be, as is obvious right from the opening credits.
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