NYPD detectives Shepard and Powell are working on a bizarre case of a ritualistic Aztec murder. Meanwhile, something big is attacking people of New York and only greedy small time crook Jimmy Quinn knows where its lair is.
A thief breaks into the home of a wealthy, happily married Beverly Hills couple. He soon finds out, though, that the couple is neither as wealthy as he thought they were and are not as ... See full summary »
Joyce Van Patten
A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
The storyline of this movie involves a series of motiveless murders committed by various New York residents: a sniper shoots people from a water tower; a father murders his entire family; and a cop opens fire during a St. Patrick's Day parade. The only consistent pattern to the crimes involves the perpetrators calm admissions of guilt, explaining, "God told me to." While investigating the murders, catholic police detective Peter Nicholas is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips who appeared to each of the killers and can't seem to shake the feeling that his own fate is somewhat linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed. Written by
Trust something this darkly warped to come from the creative juices brewing from the mind of Larry Cohen. The 70s through to the mid 80s was the pinnacle for Cohen, and "God Told Me to" would have to be ranking at the top of his greatest achievements. With a limited budget, Cohen resourcefully constructs a fascinatingly chilling, bewildering and off-kilter little winner. Talk about the strangest film Cohen has ever done, and probably his most ambitiously versatile in the story's ever-changing format of genres! Subtexts aplenty. And they manage some depth too.
The cryptic story is cleverly utilized, as the mystery holds together and the fearful psychological undercurrents of repressed faith make it rather interesting. Though it's so hard to follow due to that fractured story-telling. It shifts from grounded reality to utter weirdness, which has you totally feeling the confusion and frustration that the main protagonist would be going through trying to come to terms with what's going on. So does it make sense? I'm not quite sure, but hell it's entertaining and bizarre. Too much for me to worry about thinking of the bigger picture. But hey it makes great for repeat viewings! Some sequences can unsettle, while others thoughtfully delve into the characters at hand. A compact, but involving script is complicatedly put together and drives hard with an audaciously literal sense. Some of the dialogues actually raise most of the tension than some visual set-pieces involving violence and shocks. Cohen's capably understated direction is well presented and shines with his own distinctive personality, as he ably uses the authentic New York Locations with the use of intimately taut cinematography. He manages to install a haunting air throughout the whole feature, and Frank Cordell's dreamily sombre music score largely complements the atmospheric awe.
A quality cast lend solid performances. Tony Lo Bianco is undeniably excellent in the lead role of a religious NYPD detective. Sandy Dennis and Sylvia Sidney offer strong support. Sam Levene, Al Fann and James Dixon (a Cohen favourite) are also good. Richard Lynch appears in a small, but unusually striking part and Andy Kauffman in an out-of-the-ordinary performance.
Cohen's "God Told Me To" is a loopy, but challenging b-grade exploitation of the highest order. An unforgettable cult gem!
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