Returning from a stint in the Air Force, Carrol Jo Hummer borrows money to buy a truck, hoping to make enough money hauling produce to marry Jerri Kane and set up housekeeping. He discovers... See full summary »
A post-apocalyptic tale based on a novella by Harlan Ellison. A boy communicates telepathically with his dog as they scavenge for food and sex, and they stumble into an underground society ... See full summary »
A man stumbles out of a car crash with no memory of what transpired. Everyone who he meets suggests that he is a ruthless man with an aggressive temper. Could he be deliberately blocking ... See full summary »
At the dawn of the 19th century, a young French woman is kidnapped and forced into a sultan's harem in Turkey. Fiercely independent, she resists, but must make choices in order to survive. ... See full summary »
F. Murray Abraham,
The Westernized grandson of a shaman returns to the wilderness to learn more about his Native American heritage. When he encounters powerful evil spirits, he enlists the aid of his lover and a local chief to stop the spirits.
Chief Dan George
A small group of survivors at a military installation who survived World War 3 attempt to drive across the desolate wasteland to where they hope more survivors are living. Hopefully their specially built vehicles will protect them against the freakish weather mutated plant and animal life and other dangers along the way. Written by
Brian W Martz <B.Martz@Genie.com>
20th Century-Fox "developed" a rival to Universal's gimmicky "Sensurround" sound process (popularized in the theatrical release of Earthquake (1974)) that was only used for the theatrical release of "Damnation Alley" called "Sound 360." This process was basically a variation of Magnetic-Optical Stereo sound. This technical advancement/gimmick in sound did not last past "Damnation Alley" although it was planned for Walter Hill's The Driver (1978) and Damien: Omen II (1978). If you look at the one sheet of "Damnation Alley" the "Sound 360" declaration and logo are prominent at the bottom. See more »
As the blue sky was often used to 'key' the optical effects for much of the film, when the camera panned or moved upwards, it resulted in the special effects moving with the camera and/or revealing clear blue sky elsewhere in the shot. See more »
[the Landmaster refugees are being waylaid by the "Mountain Men" in the desert]
How long have you men been here?
Since everything went to hell.
See more »
The beginning of this film really shakes you up. The careful, measured tones coming from the missile base loudspeaker announcing the progress of "the war" belie the fact that at that moment scores of millions of people are being atomized as the bombs fall.
However, the aftermath seems to be typical post-nuclear mis-adventure, with the survivors from the base starting out on a cross-country road trip. The "Landmaster" vehicles add a jazzy and technie touch to the otherwise predictable trip. Wild weather, crazed hermits, and killer cockroaches require a little suspension of disbelief, but still keep the pace going.
Fans of "The A-Team" will like seeing George Peppard in a lead role, as the by-the-book superior officer who tries to keep the non-conformist junior officer (Vincent) in line. Dominique Sanda adds some nice eye candy as the token female member of the intrepid band of pilgrims, rescued by Peppard and company from the ruins of Las Vegas.
Overall, a pretty good film if you are looking for an evening of distraction and non-reality, if you can get past the opening sequence.
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