When his partner is killed, NYC detective Frank Hovannes and his organized-crime squad go against the mob, despite strong objections from his superiors and the legal-departmental restrictions that hinder him.
Sam Laker is an American industrialist, working in Britain, who has just been awarded an international award for industrial design. He is planning to travel to East Germany to attend a ... See full summary »
Sidney J. Furie
Police detective Joe Leland investigates the murder of a homosexual man. While investigating, he discovers links to official corruption in New York City in this drama that delves into a world of sex and drugs.
Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
Jill St. John,
Leaving home, young Buddy Baker arrives unannounced at the luxurious Manhattan apartment of his older brother, Alan, a swinging girl chasing bachelor who prefers his carefree life to ... See full summary »
Ad-agency president Dan Edwards who, when he goes to Mexico to celebrate his nineteenth wedding anniversary, winds up getting divorced by mistake - whereupon his wife Valerie marries his ... See full summary »
The partner--and best friend--of a tough New York detective is murdered by killers working for a local mob. Infuriated at the inability of the Police Department to bring in the murderers, he decides--with the help of a few of his fellow detectives--to operate on his own, using whatever means necessary, to destroy the gang. Written by
A fine example from the era of "made for TV movies"
In the 1970s, the TV networks put a lot of money into creating their own collection of original films. The rationale was that they were about as cheap as a series pilot (indeed some, like "Marcus Nelson Murders" did become exactly that -- for "Kojak"; "The Night Stalker/Strangler" for the Kolchak series), and did not entail open-ended commitments like a series would.
This flick is certainly at the high-end of these (the low-end was things like "The Hard Ride" - - motorcycle-gang members with machine guns in Vietnam, in a low budget, low brow version of "Missing in Action"; the immortal "Killdozer"). Frank Sinatra shows his acting chops again (nearly for the last time, from here on there was only one episode of Magnum PI to be proud of), surrounded by the usual suspects of series TV and made-for-TV-movies (notably Harry Guardino, good as always.) The soundtrack is certainly movie-quality (as were most of this era's TV-movies.)
The movie suffers from having an enforced length -- 145 minutes to fill a 3-hour timeslot -- and thus there is painfully unnecessary padding of scenes and dialog, and long traveling shots with the obligatory shoe-leather-sound-effects. But there's a cracking good 90-100 minute movie in here.
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