In World War II era Los Angeles, the manager of the Culver Hotel leaves his nephew in charge for a weekend. The nephew changes the name to the Hotel Rainbow and overbooks with royalty, ... See full summary »
From the Pullizer Prize winning play by Paul Zindel, this is the story of Beatrice Hunsdorfer and her daughters, Ruth and Matilda. A middle-aged widowed eccentric, Beatrice is looking for ... See full summary »
Antonio's friend Bassanio is in love and needs money to go courting. Using Antonio as his collateral, he borrows money from Shylock. But when the debt comes due, Shylock demands repayment ... See full summary »
A young artist goes to interview an older painter who live in the south of France with two young women, and gets caught up in the painter's bohemian lifestyle and begins examining his own ... See full summary »
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions ... See full summary »
Paul was injured while playing polo. He then learns that he is paralyzed from the waist down. Feeling despondent, he decides to go to his grandfather's ranch. He meets Marnie a horse ... See full summary »
An aging actress is being sued for breach of promise. She hires as her lawyer a man who was an ex-lover and is still in love with her, although she doesn't know it. She realizes that the ... See full summary »
Playwright William Inge never liked Shirley Booth, or her brilliant performance as Lola in the Broadway and original film versions of "Sheba" -- he wanted an actress that would be believable as a faded beauty. Inge did not live to see Woodward's version of Lola, but he probably would have adored it -- he knew her as a young beauty when she understudied Janice Rule in his "Picnic" on Broadway. But the curse on Lola's husband "Doc" endures, and Olivier is as miscast as Lancaster was in the '52 film. It's one of his hammiest performances. A very young Carrie Fisher is natural and luminous as Marie, and Woodward is wonderful as always, but there's no escaping the long shadow of Booth's heartbreaking, legendary performance, which remains the heart and soul of "Sheba." Inge was wrong.
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