1-20 of 33 items from 2015 « Prev | Next »
Lewis Black‘s latest TV role is no laughing matter.
The longtime comedian has joined the cast of Madoff, ABC’s upcoming miniseries about former stockbrocker Bernie Madoff.
Inspired by Brian Ross’ book The Madoff Chronicles, the drama will explore the rise and fall of the disgraced financier, culminating in his 150-year prison sentencing in 2009 for operating a $65 billion Ponzi scheme.
Per The Hollywood Reporter, Black will play Ezra Merkin, who invested with Madoff and brought a number of wealthy Jewish clients into his fold. The comedian joins a cast that includes Close Encounters of the Third Kind »
There's no denying Disney took a nasty financial beating with Tomorrowland, and with recent executive decisions, Marvel movies, live-action remakes and Star Wars movies are what we should expect for the long run. And that very well may be, but there's at least one non-established property in the making at the Mouse House. Disney just entered discussions with Oprah Winfrey's Harpo Films and David Oyelowo's Yoruba Saxon to bring to the screen The Water Man, an original fairy tale from first-time writer Emma Needell, based on her spec script. Considered a mix between Stand By Me, E.T. and Close Encounters Of the Third Kind, it's a "magical family drama" centered on Gunner, a precocious young boy who runs away from home to find a mythic figure named The Water Man, rumored to have cheated death, in order to save his dying mother. Oyelowo, in addition to producing, is slated to play Amos, »
- Will Ashton
We look at the films that slipped through Hollywood's net, from biblical epics to a time travelling Gladiator sequel...
This article contains a spoiler for Gladiator.
If you're one of those frustrated over the quality of many of the blockbusters that make it to the inside of a multiplex, then ponder the following. For each of these were supposed to be major projects, that for one reason or another, stalled on their way to the big screen. Some still may make it. But for many others, the journey is over. Here are the big blockbusters that never were...
The late Michael Crichton scored another residential on the bestseller list with his impressive thriller, Airframe. It was published in 1996, just after films of Crichton works such as Jurassic Park, Rising Sun, Disclosure and the immortal Congo had proven to be hits of various sizes.
So: a hit book, another techno thriller, »
To celebrate the release of Jurassic World, in cinemas now across the globe, I’ve decided to take a trip through 5 of my favourite on-screen creations that have defied the laws of supposed reality. We’re talking those creatures that capture the imagination when they’re first seen but also made you disregard that they weren’t even real.
6. Caesar from Rise of the Planet of the Apes (2011) (Dir. Rupert Wyatt)
I must admit my movie mind was cautious before the re-launch of another Apes saga but once you see Wyatt’s version that came complete with Andy Serkis’ Imaginarium monkey, sorry Ape, Caesar, then the game was changed forever.
Caesar is an exceptional creation and not just as they’ve given us the believability factor but because it’s done with all the correct intentions. Gone are the days where we know there are humans under the suits, »
- Dan Bullock
The growing collaboration between America and China in the film business has been big news for years, but with the recent signing of Bruce Willis and a pair of below-the-line luminaries, the makers of the Chinese-language war epic, “The Bombing,” hope to create more equilibrium in the flow of talent across the Pacific.
Yang Buting, the executive producer of the film and former China Film Group chief executive, believes that the big-budget picture will be the first of many to lure U.S. stars, directors and craftsmen to China. And another producer working in China said that, in the wake of the news that Willis was taking the role in “The Bombing,” two name-brand Hollywood stars inquired about coming to the Far East to work in Chinese-language films.
“It’s coming,” said the producer, who declined to name the American actors prior to the inking of deals. “There is a desire for American talent, »
- James Rainey
Seth Winston, an Academy Award winner and long-time senior lecturer with American Film Institute’s Conservatory Studies, died suddenly at his home in Woodland Hills on June 5. He was 64.
Winston received an Oscar for best live action short in 1991 for writing and directing Showtime’s “Session Man.” He also taught at the Columbia College Hollywood, USC School of Cinematic Arts, Uc Santa Barbara and UCLA Extension.
The Philadelphia native grew up in Los Angeles and was a resident of Woodland Hills. He received a Bachelor of Arts degree in cinema production from the USC School of Cinema. He wrote and directed two films at USC — “Allegory” and “An Evening with the Gods,” which was seen by CBS executives, who then hired Winston to write a TV comedy pilot based on the film.
Winston was accepted to the Academy of Motion Picture Arts and Sciences’ Director Internship Program at AFI and »
- Dave McNary
If you see a movie for the first time and swear you've heard the score before, it may not be your imagination...
Last month, the American Federation of Musicians of the United States and Canada (Afm) sued six major studios for reusing film soundtracks in other films without paying the appropriate compensation. It's the kind of news that will make people roll their eyes. Ah yes, they'll say after seeing the headlines. Typical Hollywood. Not even the music's original any more.
But go beyond the headlines about reusing the same music too much and delve into the lawsuit and it reveals an interesting insight into the kind of situations where music does get repeated.
The lawsuit, it soon becomes evident, isn't about the use of music in itself (a quick browse through the soundtracks for the titles in question, such as This Means War or Argo, reveals that they have »
Let’s get the obvious question out of the way: why in the world is Criterion Cast posting a review of Star Trek: The Motion Picture? The film was released in the late Seventies, no new version has been recently issued on either Blu-ray or in a new theatrical run, and while it’s not completely out of the realm of possibility for this site to take a look at mainstream big budget productions aimed at the mass audience, it’s also pretty obvious that St:tmp isn’t the sort of movie that fits all that comfortably alongside the foreign, independent and alternative cinematic expressions that typically draw our critical attention.
The reason I’m posting this review here is that I agreed to participate in the 2015 White Elephant Blogathon, a project organized by Philip Tatler in which he solicits nominations from a couple dozen movie bloggers for offbeat films »
- David Blakeslee
The argument over who directed Poltergeist - the credited Tobe Hooper or producer and co-writer Steven Spielberg - weirdly reflects the tone of the 1982 hit, which starred Craig T. Nelson as a father who moves his family into a California suburb built on a Native American burial ground. The film melds some genuinely strange and galvanizing images of the home rebelling against its new owners with a healthy dose of the thoughtful family dynamics that made E.T. and Close Encounters of the Third Kind so distinct. In a way, one could see Hooper as the malevolent, unbound spirit trying to burst through the veneer of Spielberg's impeccably designed environs and relatively mild strain of sentimental hokum. [caption id="attachment_461657" align="alignright" width="350"] Image via Associated Film[/caption] Both Hooper, the ingenious wild man behind The Texas Chain Saw Massacre, and Spielberg are obsessives when it comes to the realms of the supernatural onscreen, clearly versed in creature features, »
- Chris Cabin
Steven Spielberg and daughter Destry Spielberg on the Oscars' Red Carpet Steven Spielberg and daughter Destry Steven Spielberg and daughter Destry Spielberg arrive at the 83rd Academy Awards, held on Feb. 27 at the Kodak Theatre in Hollywood. Spielberg has taken home two Best Director Oscars: Schindler's List (1993) and Saving Private Ryan (1998). Schindler's List also won Best Picture, but Saving Private Ryan lost to John Madden's Miramax-distributed Shakespeare in Love. There was quite a bit of animosity at the time, as some felt that Miramax, owned by brothers Bob and Harvey Weinstein, overdid its Oscar campaigning – while still managing to sway enough Academy of Motion Picture Arts and Sciences members to vote for its film. Somewhat ironically, at the 2011 Academy Awards ceremony Steven Spielberg presented the Best Picture Award to The King's Speech. Toplining Colin Firth, Helena Bonham Carter, Geoffrey Rush, Guy Pearce, and Claire Bloom, this British production was »
- D. Zhea
Photo: Warner Bros. / Lionsgate / Paramount Christopher Nolan was asked, during a Q&A at the Tribeca Film Festival, to choose which sequence from his films he considers his favorite. The log chase scene in Insomniac The semi-flip in The Dark Knightc The docking sequence in Interstellarc Every single one of themc Nope. The director answered as some may have expected, with the opening scene from The Dark Knight Rises, often discussed as his most impressive stunt sequence thus far in his directorial career. Call it the prologue scene, call it the airplane hijacking scene, call it what you want, Nolan is proud of it no matter what title you give it. "It took us about two days in Scotland," he told host Bennett Miller and the crowd. He continued: "It was an incredible sort of coming together of months and months of planning by a lot of different members of »
- Jordan Benesh
All week long our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. 1977 is the greatest year in film history. I'm positive. Why? It's the year that made you believe giant blockbusters could bring you state-of-the-art science fiction, modern (and enduring) takes on romance, compelling heroes, and a shrewd understanding of real people. It's the year that put us in touch with our most superheroic and most sentimental qualities, and that range alone is worth honoring. '77 is the year that gave us "Star Wars." I could go on about why that's a great movie, or we could just understand that every sci-fi blockbuster since "Star Wars" has had to deal with belittling comparisons to the greatness of "Star Wars." Sure, there've been other blockbusters with grandeur and special effects galore, but did they have C3PO's charisma? »
- Louis Virtel
The Star Wars franchise is going strong 38 years later. But what about the artists and filmmakers who helped make the 1977 original a hit?
In theatres all over the world in 1977, audiences thrilled at the sights and sounds of Star Wars. Harking back to a bygone age of Flash Gordon and Buck Rogers, it also pointed forward to the coming age of ubiquitous computers and special effects-led blockbusters.
But while the triumphant fanfare of John Williams' score gave Star Wars a confident swagger, its success was far from preordained. George Lucas reworked his script time and again; studios turned his concept down; even the production was rushed and torturous.
By now, the contribution George Lucas, John Williams and Star Wars' cast made to cinema is well documented. But what about some of the other artists, technicians and fellow filmmakers who helped to make the movie such a success? Here's »
Read More: Attention, Filmmakers: Here's How to Re-Create the 'Interstellar' Black Hole What do "Poltergeist," "Close Encounters of the Third Kind," "Cocoon" and "Independence Day" all have in common? Aside from alien storylines, each feature predominantly uses cloud tank magic in order to depict supernatural weather. You may not have known it by its formal name, but you have no doubt come across cloud tank magic if you have seen any movie in the past several decades, including "Star Trek," "Total Recall," "Raiders of the Lost Ark" and dozens more. In a new web video courtesy of PBS Digital Studios and Shanks FX, special effects guru Joey Shanks highlights the process behind cloud tanks. A cloud tank consists of a bottom layer of salt water and a top layer of fresh water; clouds are produced when various forms of liquid are injected into tank. The technique was the Hollywood standard for depicting. »
- Zack Sharf
Larry Cohen hasn’t directed a film since 1996 (Original Gangstas), but he’s stayed busy as a writer with thrillers like Phone Booth, Best Seller and Cellular. It’s a bit of a shame as the man’s directorial touch is usually a guarantee that a movie is going to be a fun ride — think It’s Alive, The Stuff, The Ambulance — and one of his best is 1982’s flying monster movie, Q the Winged Serpent. Scream Factory released the film to Blu-ray in 2013 complete with a new commentary track from Cohen, and we decided it was time to give it a spin. It was a smart decision as the track is a fun, informative and occasionally surprising listen. Keep reading to see what I heard on the commentary track for Q the Winged Serpent. Q the Winged Serpent (1982) Commentator: Larry Cohen (writer/director) 1. They had an early preview of the film prior to distribution, and »
- Rob Hunter
The Academy Award winning actor and star of "American Graffiti," "Jaws" and "The Goodbye Girl" attended the Belgrade International Film Festival as one of its guests of honor. Among the event's many changes and novelties that include several brand new competition programs, the festival has created the Victor Lifetime Achievement Award and Dreyfuss was the first recipient of this brand new recognition. In honor of the achievement, the festival not only screened seven of his most important films such as the above-mentioned three -- as well as "Rosencrantz and Guildenstern Are Dead," "Dillinger," "Close Encounters of the Third Kind," "Postcards from the Edge" and "Down and Out in Beverly Hills" in the recently inaugurated new building of the renowned Yugoslav Film Archives -- but the institution also recognized the actor’s invaluable body of work by honoring him with its famed Golden Seal. Read More: »
- Tara Karajica
Disney's "Tomorrowland," directed by super genius filmmaker Brad Bird and starring undeniably handsome bloke George Clooney, has been one of the more tantalizing propositions of movies this year. This is a movie that, for years, has been cloaked in mystery, and even as the release date (May 22nd) rapidly approaches, the filmmakers and marketing gurus have been extremely shy about showing off anything from the potential blockbuster. We saw a nifty sequence at New York Comic Con last fall, with an enigmatic trailer premiering around the same time, and a Super Bowl spot that hinted at slightly more footage. Now a full-length trailer has launched (literally) and it hasn't just lived up to expectations of what the movie would actually look like, it has exceeded them.
Things, however, are still pretty mysterious. The trailer starts with Clooney saying that, "With every second that ticks by, the future is running out. »
- Drew Taylor
Homesick aliens and lovesick robots are among Hollywood's favorite science fiction movies. Pulled from THR's list of Hollywood's 100 favorite films, some of the flicks take place in galaxies far, far away, while others hit a little closer to home. E.T. (No. 8), Steven Spielberg's film about a Reese's Pieces-loving extra terrestrial, wasn't the only sci-fi entry from the Oscar-winning director. Close Encounters of the Third Kind (No. 93) and Jurassic Park (No. 50) also found their ways onto the superlative list. Audiences will be able to return to the perpetually ill-fated park in this summer's Jurassic World. Read More Meet the
- Mia Galuppo
The original script for the first Star Trek movie did not include Mr. Spock. The project was conceived as what would have then been the most expensive television project ever, with a budget of $3.2 million. When that vision died, Paramount — which had watched other studios feast on Star Wars and Close Encounters of the Third Kind — decided to make a movie instead. With a planned $18 million budget, the studio courted director Robert Wise (West Side Story), who took the job not because he loved the old television series but because his wife and father-in-
- Kim Masters
This article contains a spoiler for the ending of Interstellar.
In case you missed it, the Oscars were this past weekend and Birdman was the big winner. The Academy’s choice to award Alejandro González Iñárritu's fever dream was a genuine shock, with Boyhood the running favourite for many months. Nonetheless, some things never change, and in that vein it's certainly a non-surprise the Academy also hardly noticed the most ambitious blockbuster of 2014: the Christopher Nolan space epic, Interstellar. Indeed, I use the phrase "non-surprise", because how could it be a winner when it was only nominated for the bare minimum of five Oscars in technical categories that are reserved as consolation prizes?
This is by all means par for the course with a film that has »
1-20 of 33 items from 2015 « Prev | Next »
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners