| Photos (See all 88 | slideshow) | Videos (see all 5) |
| Richard Dreyfuss | ... | Roy Neary | |
| François Truffaut | ... | Claude Lacombe (as Francois Truffaut) | |
| Teri Garr | ... | Ronnie Neary | |
| Melinda Dillon | ... | Jillian Guiler | |
| Bob Balaban | ... | David Laughlin | |
| J. Patrick McNamara | ... | Project Leader | |
| Warren J. Kemmerling | ... | Wild Bill (as Warren Kemmerling) | |
| Roberts Blossom | ... | Farmer | |
| Philip Dodds | ... | Jean Claude | |
| Cary Guffey | ... | Barry Guiler | |
| Shawn Bishop | ... | Brad Neary | |
| Adrienne Campbell | ... | Silvia Neary | |
| Justin Dreyfuss | ... | Toby Neary | |
| Lance Henriksen | ... | Robert | |
| Merrill Connally | ... | Team Leader | |
| George DiCenzo | ... | Major Benchley | |
| Amy Douglass | ... | Implantee | |
| Alexander Lockwood | ... | Implantee | |
| Gene Dynarski | ... | Ike | |
| Mary Gafrey | ... | Mrs. Harris | |
| Norman Bartold | ... | Ohio Tolls | |
| Josef Sommer | ... | Larry Butler | |
| Michael J. Dyer | ... | Himself (as Rev. Michael J. Dyer) | |
| Roger Ernest | ... | Highway Patrolman | |
| Carl Weathers | ... | Military Policeman | |
| F.J. O'Neil | ... | ARP Project Member | |
| Phil Dodds | ... | ARP Musician | |
| Randy Hermann | ... | Returnee #1 Flt. 19 | |
| Hal Barwood | ... | Returnee #2 Flt. 19 | |
| Matthew Robbins | ... | Returnee #3 Flt. 19 | |
| David Anderson | ... | Air Traffic Controller | |
| Richard L. Hawkins | ... | Air Traffic Controller | |
| Craig Shreeve | ... | Air Traffic | |
| Bill Thurman | ... | Air Traffic | |
| Roy E. Richards | ... | Air East Pilot | |
| Gene Rader | ... | Hawker | |
| Eumenio Blanco | ... | Federale | |
| Daniel Núñez | ... | Federale (as Daniel Nunez) | |
| Chuy Franco | ... | Federale | |
| Luis Contreras | ... | Federale | |
| James Keane | ... | Radio Telescope Team | |
| Dennis McMullen | ... | Radio Telescope Team | |
| Cy Young | ... | Radio Telescope Team | |
| Tom Howard | ... | Radio Telescope Team | |
| Richard Stuart | ... | Truck Dispatcher | |
| Bob Westmoreland | ... | Load Dispatcher | |
| Matt Emery | ... | Support Leader | |
| Galen Thompson | ... | Special Forces | |
| John Dennis Johnston | ... | Special Forces | |
| John Ewing | ... | Dirty Tricks #1 | |
| Keith Atkinson | ... | Dirty Tricks #2 | |
| Robert Broyles | ... | Dirty Tricks #3 | |
| Kirk Raymond | ... | Dirty Tricks #4 | |
| rest of cast listed alphabetically: | |||
| Bennett Wayne Dean Sr. | ... | Scientist (uncredited) | |
| Basil Hoffman | ... | Longly (uncredited) | |
| J. Allen Hynek | ... | Himself - Smoking Pipe at Landing Site (uncredited) | |
| Monty Jordan | ... | Special Forces Commander / Helicopter Pilot (uncredited) | |
| Stephen Powers | ... | UN Observer (uncredited) | |
| Howard K. Smith | ... | Howard K. Smith (uncredited) | |
Directed by | |||
| Steven Spielberg | |||
Writing credits | ||
| Steven Spielberg | (written by) | |
| Hal Barwood | uncredited | |
| Jerry Belson | uncredited | |
| John Hill | uncredited | |
| Matthew Robbins | uncredited | |
Produced by | |||
| Clark L. Paylow | .... | associate producer (as Clark Paylow) | |
| Julia Phillips | .... | producer | |
| Michael Phillips | .... | producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Vilmos Zsigmond | (director of photography) | ||
Film Editing by | |||
| Michael Kahn | |||
Casting by | |||
| Shari Rhodes | |||
| Juliet Taylor | (as Juliette Taylor) | ||
Production Design by | |||
| Joe Alves | |||
Art Direction by | |||
| Daniel A. Lomino | (as Dan Lomino) | ||
Set Decoration by | |||
| Phil Abramson | |||
Makeup Department | |||
| Edie Panda | .... | hairdresser | |
| Bob Westmoreland | .... | makeup supervisor | |
| Dave Ayres | .... | creature crew (uncredited) | |
| Sharleen Rassi | .... | hair stylist (uncredited) | |
Production Management | |||
| Clark L. Paylow | .... | unit production manager (as Clark Paylow) | |
| Baba Shaik | .... | production manager: India (uncredited) | |
| John Veitch | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Jim Bloom | .... | second assistant director | |
| Charles Myers | .... | assistant director (as Chuck Myers) | |
| Eric Stacey | .... | key second assistant director (uncredited) | |
Art Department | |||
| Sam Gordon | .... | property master | |
| George Jenson | .... | production illustrator (as George Jensen) | |
| Bill Parks | .... | construction manager | |
| Stan Cockerell | .... | set dresser (uncredited) | |
| David Coleman | .... | assistant property master (uncredited) | |
| Ralph McQuarrie | .... | conceptual artwork (uncredited) | |
Sound Department | |||
| Neil Burrow | .... | sound effects editorial staff | |
| Gene S. Cantamessa | .... | production sound mixer (as Gene Cantamesa) | |
| Richard Friedman | .... | dialogue editorial staff (as Dick Friedman) | |
| Sam Gemette | .... | sound effects editorial staff | |
| Gary S. Gerlich | .... | sound effects editorial staff | |
| Robert Glass | .... | re-recording mixer | |
| David M. Horton | .... | sound effects editorial staff (as David Horton) | |
| Bill Jackson | .... | assistant dialogue staff | |
| Stephen Katz | .... | sound supervisor: Dolby (as Steve Katz) | |
| Robert Knudson | .... | re-recording mixer (as Buzz Knudson) | |
| Don MacDougall | .... | sound re-recording mixer | |
| Richard Oswald | .... | sound effects editorial staff | |
| Robert A. Reich | .... | assistant dialogue staff | |
| Jack Schrader | .... | supervising dialogue editor | |
| Chester Slomka | .... | sound effects editorial staff (as Chet Slomka) | |
| Frank E. Warner | .... | supervising sound effects editor (as Frank Warner) | |
| Raul A. Bruce | .... | boom operator (uncredited) | |
| Ellis Burman | .... | sound restoration engineer (uncredited) | |
| Ed Golya | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Roy Arbogast | .... | special mechanical effects | |
| Carlo Rambaldi | .... | realization of "extraterrestrial" | |
| Wayne Beauchamp | .... | special effects (uncredited) | |
| Johnny Borgese | .... | special effects (uncredited) | |
| Kevin Pike | .... | special effects (uncredited) | |
| Robert Short | .... | alien designer (1980 special edition) (uncredited) | |
Visual Effects by | |||
| Larry Albright | .... | special consultant | |
| Peter Anderson | .... | special consultant | |
| Mona Thal Benefiel | .... | project coordinator | |
| Richard Bennett | .... | special consultant | |
| David Berry | .... | camera operator (as Dave Berry) | |
| Carol Boardman | .... | animation staff | |
| Eleanor Dahlen | .... | animation staff | |
| Cy Didjurgis | .... | animation staff | |
| Don Dow | .... | laboratory technician | |
| Jim Dow | .... | model shop coordinator (as J. Richard Dow) | |
| Ken Ebert | .... | special consultant | |
| Glenn Erickson | .... | project assistant | |
| Eugene Eyerly | .... | camera operator | |
| Rocco Gioffre | .... | assistant matte artist | |
| David Gold | .... | effects electrician | |
| Joyce Goldberg | .... | production secretary | |
| Robert Hall | .... | optical photography | |
| David R. Hardberger | .... | assistant cameraman (as David Hardberger) | |
| Alan Harding | .... | assistant cameraman | |
| Jack Hinkle | .... | laboratory expeditor (as Charles Hinkle) | |
| Robert Hollister | .... | technician | |
| Thomas Hollister | .... | laboratory technician (as Tom Hollister) | |
| Paul Huston | .... | special consultant | |
| Joseph A. Ippolito | .... | editorial assistant (as Joseph Ippolito) | |
| Don Jarel | .... | matte photography | |
| Jerry Jeffress | .... | electronics design (as Jerry L. Jeffress) | |
| Gregory Jein | .... | chief model maker | |
| David Jones | .... | special consultant (as David M. Jones) | |
| Kevin Kelly | .... | special consultant | |
| Tom Koester | .... | animation staff | |
| Jim Lutes | .... | special consultant | |
| Michael McMillen | .... | model maker | |
| Bill Millar | .... | animation staff | |
| Alvah J. Miller | .... | electronics design | |
| Harry Moreau | .... | animator | |
| Conne Morgan | .... | animation staff | |
| Max Morgan | .... | camera operator (as Maxwell Morgan) | |
| Barbara Morrison | .... | effects negative cutter | |
| Dennis Muren | .... | mothership photography | |
| Bruce Nicholson | .... | assistant cameraman | |
| Ron Peterson | .... | camera operator | |
| George Polkinghorne | .... | mechanical special effects | |
| George Randle | .... | special consultant | |
| Marcia Reed | .... | still photography (as Marcia Reid) | |
| Peter Regla | .... | electronics design | |
| Ray Rich | .... | key grip | |
| Eldon Rickman | .... | camera operator | |
| Richard Rippel | .... | assistant cameraman | |
| Larry Robinson | .... | special visual effects coordinator | |
| Peggy Rosson | .... | production accountant | |
| John Russell | .... | camera and mechanical design | |
| Jeff Shapiro | .... | special consultant | |
| Robert Shepherd | .... | project manager: effects unit | |
| Dan Slater | .... | electronics design | |
| Steven Spielberg | .... | visual effects concepts | |
| Scott Squires | .... | assistant cameraman | |
| David K. Stewart | .... | UFO photography (as Dave Stewart) | |
| Robert Swarthe | .... | animation supervisor | |
| Ken Swenson | .... | model maker (as Kenneth Swenson) | |
| Don Trumbull | .... | camera and mechanical design | |
| Douglas Trumbull | .... | special photographic effects | |
| Jor Van Kline | .... | model maker | |
| Robert E. Worthington | .... | model maker (as Robert Worthington) | |
| Hoyt Yeatman | .... | project assistant | |
| Matthew Yuricich | .... | matte artist | |
| Richard Yuricich | .... | director of photography: photographic effects | |
| Larry Albright | .... | mothership neonlight effects designer (uncredited) | |
| Gregory L. McMurry | .... | visual effects technician (1980 special edition) (uncredited) | |
| Christopher S. Ross | .... | model maker (1980 special edition: mothership interior) (uncredited) | |
| Jonathan Seay | .... | visual effects camera (1980 special edition) (uncredited) | |
| Scott Squires | .... | developer: cloud tank (uncredited) | |
| Robert Swarthe | .... | visual effects supervisor (1980 special edition: inside mother ship) (uncredited) | |
Stunts | |||
| Buddy Joe Hooker | .... | stunt coordinator | |
| Bobby Bass | .... | stunts (uncredited) | |
| Craig R. Baxley | .... | stunt driver (uncredited) | |
| Jerry Brutsche | .... | stunt driver (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Jeannie Epper | .... | stunts (uncredited) | |
| Buddy Joe Hooker | .... | stunts (uncredited) | |
| Monty Jordan | .... | utility stunts (uncredited) | |
| Stephen Powers | .... | stunts (uncredited) | |
Casting Department | |||
| Sally Dennison | .... | additional casting | |
Costume and Wardrobe Department | |||
| James Linn | .... | wardrobe supervisor (as Jim Linn) | |
Editorial Department | |||
| Charles Bornstein | .... | assistant film editor | |
| Bob McMillian | .... | color consultant (as Robert M. McMillian) | |
| Geoffrey Rowland | .... | assistant film editor | |
Music Department | |||
| John Neal | .... | music scoring mixer | |
| Kenneth Wannberg | .... | music editor | |
| Tommy Johnson | .... | musician: tuba soloist (uncredited) | |
| Paul Salamunovich | .... | vocalist: harmonic chanting (uncredited) | |
| Jim Self | .... | musician: tuba, voice of the mother ship (uncredited) | |
| Herbert W. Spencer | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Bill Bethea | .... | transportation | |
| Chris Haynes | .... | production driver (uncredited) | |
Other crew | |||
| Judy Bornstein | .... | second assistant to producers | |
| Charlsie Bryant | .... | script supervisor | |
| Patrick Burns | .... | production staff (as Pat Burns) | |
| Colin Cantwell | .... | technical dialogue | |
| Kendall Cooper | .... | assistant to producers | |
| Al Ebner | .... | publicist | |
| H.L. Edwards | .... | during the filming of all animal sequences, veterinarian of Gillette, Wyoming was in attendance at all times to aid the filmmakers and the anesthetist in proper treatment of the animals used | |
| Rick Fields | .... | assistant: Mr. Spielberg | |
| Janet Healy | .... | production staff | |
| J. Allen Hynek | .... | technical advisor (as Dr. J. Allen Hynek) | |
| Joe O'Har | .... | location manager | |
| Dan Perri | .... | title designer | |
| Gail Siemers | .... | production secretary | |
| Steve Warner | .... | location auditor | |
| Murray Weissman | .... | publicist | |
| Seth Winston | .... | intern: AFI | |
| Noreen Beasley | .... | dialogue translator: French for F. Truffaut (uncredited) | |
| Norman Brokaw | .... | production counsel (uncredited) | |
| Norman Garey | .... | production counsel (uncredited) | |
| Steve Hinton | .... | pilot (uncredited) | |
| Pat Kingsley | .... | publicist (uncredited) | |
| Kevin Von Feldt | .... | assistant: Clark Paylow (uncredited) | |
Thanks | |||
| Johnny Mathis | .... | special thanks | |
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| Transformers | E.T.: The Extra-Terrestrial | Independence Day | Transformers: Dark of the Moon | Fire in the Sky |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Close Encounters Of The Third Kind is a film about aliens landing on earth, but instead of descending into the usual laser-gun confrontations between humans and aliens, this one dares to remain "peaceful". It is a film about contact, not conflict. It is also a wonderfully thoughtful film and a prime example of compelling story-telling. If there is a weakness with Close Encounters Of The Third Kind, it is that the director Steven Spielberg occasionally allows sentimentality to enter into the proceedings, but in truth it is a very minor weakness and it doesn't significantly spoil this tremendous movie experience.
Several missing aircraft turn up over 30 years after they were reported lost. More baffling still is the fact that they vanished over Florida but have turned up, in pristine condition and without pilots, in the middle of Mexico. Other weird things happen: an aeroplane pilot reports a near collision with a brightly lit spacecraft; a Navy warship missing for decades is found in the desert; thousands of Indians report a light in the sky which "sang" to them; and across America there are scores of inexplicable UFO sightings. Electrician Roy Neary (Richard Dreyfuss) is a normal family man who sees one of the UFOs. Soon after, he is tormented by a vision apparently implanted in his mind by the aliens. His torment becomes obsession as he tries to figure out the meaning of a hill-like shape that has become embedded in his mind. As his marriage collapses, he desperately tries to find answers and is finally gratified when he discovers that the picture in his head is trying to tell him where to go in order to witness an extra terrestrial landing.
The fact that Roy Neary is just an everyday guy cast into the most incredible of circumstances gives this film a real human dimension. Roy could represent any one of us - you, me, your next door neighbour, your father, whoever. Spielberg tells his story very carefully, adding clues and more layers of mystery before actually revealing where the story is heading. It is probably the most controlled and skillfully paced of Spielberg's '70s films. The ending, featuring the alien arrival, is a technical tour-de-force, but it works well on an emotional level too because the viewer has grown to know Roy and has been drawn into his quest for answers. John Williams provides yet another legendary music score - including an iconic five-note tune which the aliens and humans use to communicate with each other. Close Encounters Of The Third Kind is a classic sci-fi film, as fresh and absorbing now as it was back in 1977.