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Close Encounters of the Third Kind (1977)

7.7
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Ratings: 7.7/10 from 110,698 users   Metascore: 91/100
Reviews: 309 user | 156 critic | 7 from Metacritic.com

After an encounter with UFOs, a line worker feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

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Title: Close Encounters of the Third Kind (1977)

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Won 1 Oscar. Another 15 wins & 33 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
'Lacombe' / Claude Lacombe (as Francois Truffaut)
...
...
...
...
Warren J. Kemmerling ...
Wild Bill (as Warren Kemmerling)
...
Philip Dodds ...
...
Shawn Bishop ...
Adrienne Campbell ...
Silvia Neary
Justin Dreyfuss ...
...
Merrill Connally ...
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Storyline

Roy Neary sets out to investigate a power outage when his truck stalls and he is bathed in light from above. After this, strange visions and five musical notes keep running through his mind. Will he find the meaning of the visions, and who - or what - placed them in his mind? Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Now There Is More (USA 1980 special edition re-release) See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

16 November 1977 (USA)  »

Also Known As:

CE3K  »

Box Office

Budget:

$19,400,870 (estimated)

Gross:

$128,300,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(special edition) | (director's cut) | (original)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Melinda Dillon was cast largely at the suggestion of director Hal Ashby. He had heard that Spielberg was having difficulty casting the part of Jillian, and Ashby had just completed his movie Bound for Glory (1976) with her in the cast - and liked her work. So Ashby sent Spielberg a couple of film reels containing her acting. Upon seeing those, Speilberg hired Dillon immediately. See more »

Goofs

When Jillian has caught up to Barry on the highway and almost gets hit by Roy, the three stars in a row which appear to be Orion's belt that are visible above a tree to the right of the screen repeatedly change position between shots. See more »

Quotes

Roy Neary: I know this sounds crazy, but ever since yesterday on the road, I've been seeing this shape. Shaving cream, pillows... Dammit! I know this. I know what this is! This means something. This is important.
See more »


Soundtracks

The Square Song
(1970)
Words & music by Joe Raposo (as Joseph Raposo)
Published by Jonico Music, Inc.
Courtesy Pickwick International, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Aliens in Muncie make for Spielberg's Best Film Ever
10 January 2006 | by (New Jersey, USA) – See all my reviews

Steven Spielberg has made huge popcorn blockbusters that gross more money at the box office (i.e. "Jaws," "Raiders of the Lost Ark," or "Jurassic Park") and are more exciting on a visceral level. As he as aged and matured as a director, he has also made movies that are more important and will hold a more solid place in the chronicles of film as an artistic document of history (i.e. "Schindler's List," "Saving Private Ryan," and "Munich"). For my money, his best film will still always be "Close Encounters of the Third Kind." This film is Spielberg's humanistic and heartfelt answer to Kubrick's intellectual and cerebral look at man's first contact with life from elsewhere in the universe in his 1968 opus "2001: A Space Odyssey."

"Close Encounters" came early on in Spielberg's career, made in 1977, and has all the hallmarks of his later films played just right before he became so self-referential. Here we have his typical bag of tricks long before they became so typical: familial strife, coming to terms with something bigger than oneself that challenges the male protagonist's view of the world around him, little kids in jeopardy, superb build up of suspense, fantastic visual effects, and a memorable score from John Williams. From the first UFO sightings in Muncie, Indiana to the fantastic finale at Devil's Tower in Wyoming, this is grand entertainment. Lots of films have emulated this movie to varying degrees of success, from Robert Zemeckis' earnest "Contact," to the shameful scam that was M. Night Shymalan's "Signs," and even Spielberg himself recently did the dark natured flip-side to benevolent alien encounters with his remake of "War of the Worlds" (which makes a fantastic double-feature with this). However, nothing compares to this true original. No other film has made me want to believe in aliens more, and I'll never look at a plate of mashed potatoes the same again.


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