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Close Encounters of the Third Kind (1977)

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After an encounter with U.F.O.s, a line worker feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

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1,424 ( 499)
Won 1 Oscar. Another 13 wins & 37 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Claude Lacombe (as Francois Truffaut)
...
...
...
...
Warren J. Kemmerling ...
Wild Bill (as Warren Kemmerling)
...
Philip Dodds ...
...
Shawn Bishop ...
Adrienne Campbell ...
Silvia Neary
Justin Dreyfuss ...
...
Robert
Merrill Connally ...
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Storyline

Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Now There Is More (USA 1980 special edition re-release) See more »

Genres:

Drama | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

25 December 1977 (USA)  »

Also Known As:

CE3K  »

Box Office

Budget:

$19,400,870 (estimated)

Gross:

$128,300,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(special edition) | (director's cut) | (original)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

No one was more surprised than Steven Spielberg when his first choice to play the Frenchman - François Truffaut - said yes to appearing in his first American film. See more »

Goofs

When the Aliens come to take Barry we see a beam of red light shining through the keyhole. Presumably it moves to show the space ship landing. However if this were so the ray of light would start at the bottom and move upward, not as it is in the shot where it starts at the top and moves down. See more »

Quotes

Roy Neary: I guess you've noticed something a little strange with Dad. It's okay, though. I'm still Dad.
See more »

Connections

Referenced in Saved by the Bell: Close Encounters of the Nerd Kind (1990) See more »

Soundtracks

The Square Song
(1970)
Words and Music by Joe Raposo (as Joseph Raposo)
Published by Jonico Music, Inc.
Courtesy Pickwick International, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Another Memorable Spielberg Hit From the '70s
10 June 2006 | by (United States) – See all my reviews

This is probably considered "a classic" by now, along with a few other 1970s Steven Spielberg movies. At the time of its release almost 30 years ago, the special-effects in here were astounding to view....and still hold up! They are still fun to watch.

The scenes in the beginning of this movie and at the end, are indelibly imprinted in my memory cells as well as millions of others. Who can ever forget that opening scene in the farmhouse when the little boy (Gary Guffey) is kidnapped or that ending with the gigantic spacecraft hovering over Devil's Hole in Wyoming, or the sound sequences emitted by the scientists trying to communicate with the aliens? There are many, many memorable scenes in this film - probably its biggest attribute.

To me, the only uncomfortable scene is the yelling match with Richard Dreyfuss and his family. The only message I didn't care for also involved Dreyfuss' character, who is "envied" at the end. Funny, I don't see a man who thoughtlessly leaves his family beyond as someone to be envied. Overall Dreyfuss looked more like a "Doofus" in here.

There are other credibility problems in here, too, but overall it's extremely interesting storytelling, great colors and special-effects and just about everything that director Steve Spielberg is noted for in his successful box-office films which translates to one crucial factor: entertainment.


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Bad father? Seriously? grybop
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