Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ... Written by
Because the complicated and extensive visual effects were stretching the limits of what had been done before, Steven Spielberg also discovered a difficult new challenge in having to shoot scenes without an exact idea of how they would look when Douglas Trumbull completed them and added them to the film in post-production, months after principal photography was finished. On Jaws, the effects were difficult, but they were mechanical and physical, right there before him every day. The unknown of working around optical effects to be added later meant a more tense on-set atmosphere. Trumbull said, "I'll never be able to thank him enough for having the confidence and the patience to see it through time and not panic. There was enormous pressure on the production all the time from the studio to keep moving on." See more »
After Roy drives through the fence, one of the posts lands on the hood. We see it fall off after he drives through another fence, but when he stops at the barricade it's back, along with a couple of other pieces of fence that weren't there before. See more »
Words and Music by Al Stillman (as Al Stillman) and Robert Allen
Published by International Korwin Corp.
From the Columbia Records album "Johnny Mathis' All-Time Greatest Hits" See more »
Close Encounters of the Third Kind is the story about a man who has a close encounter with aliens. However, no one seems to believe that it really happened except a woman who's son was abducted. They both have a similar vision apparently put in their minds by the aliens, and they set off together to go meet up with the aliens one more time.
I've never been a huge Spielberg fan. Sure, he's made some good movies, but I just never saw anything real great about most of his movies. That is, until I saw Close Encounters of the Third Kind. This movie had me so entranced in the story that the 2 hours and 15 minutes flew by. I'm not even a big sci-fi type of guy. The cinematography, acting, music score, and directing are all top-notch. The special effects, although obviously sub-par by today's standards, were phenomenal when released in 1977 and is still good enough to not make the movie look cheesy by today's standards.
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