In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
A soldier from Earth crash-lands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together ... See full summary »
Louis Gossett Jr.,
Roy Neary sets out to investigate a power outage when his truck stalls and he is bathed in light from above. After this, strange visions and five musical notes keep running through his mind. Will he find the meaning of the visions, and who - or what - placed them in his mind? Written by
Colin Tinto <firstname.lastname@example.org>
During the very beginning of the "space show" at the end of the film, the various dots (ships) during their tricks in the sky, form the "Big Dipper." This takes place just before Roy and Gillian laugh as they watch the objects in the sky. See more »
While preparing for the evacuation, the military speaks of clearing 360 square miles, which would involve from 35,000 to 50,000 people. Later, a news report states that 200 square miles are being evacuated. Devils Tower is centrally located in Crook County, with an area of 2858 sq. miles and a population of 5887, and is over 15 miles from the nearest city. 200 sq. miles would be a circle of 8 miles radius. 360 sq. miles would be a radius of 11.5 miles. The actual population of the evacuated area would likely be less than a few hundred people, not 35 to 50 thousand. See more »
Roy, what did it look like?
It was like an ice cream cone.
Orange. It was orange - and it wasn't like an ice cream cone. It was, it was more like a shell. You know, it was like this.
Like a taco? Was it like one of those Sara Lee, um, moon-shaped cookies? Those crescent cookies? Don't you think I'm taking this really well? I remember when we used to come to places like this just to look at each other... and snuggle.
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Watch the skies, you may see the stars move. Is it your imagination, or did it really happen. Answer to that could go both ways. Three UFOs fly past you while you are on the highway, one bright blue, the other red and blue, and the third bright orange, followed by a small red orbit tailgating it. Was this real, or just your imagination: Either it was real, or you must be seeing things...
Thus is among th many questions asked in the Steven Spielberg UFO classic, "Close Encounters of the Third Kind" a film that explores not just the possibility that we are not alone in the universe, but a film that compels us to look inside ourselves and try to find the real meaning in our lives. The story starts when lost pilots planes are being found, except that they have been lost for over thirty years! And in another part of this world, a married man, working for a cable company, experiences a "close encounter" of the first kind - sighting a UFO. Then, he experiences physical experiences regarding a shape and place he has never comprehending before. With a scientific expedition in pursuit, Roy Neary( Richard Dreyfuss) and a fellow "close encountering" Jillian Guiler(Melinda Dillon) try to find out the answer to their questions of why these strange occurrences are happening.
As realistic as it could be, this film transcends the usual alien picture because it portrays the unbelievable as totally realistic and what one wouldn't expect - intelligent life is just that - intelligent, and accepting, of our world and universe. The images in this film light up the screen and make you feel like you are living a dream, with flurry images of light, making one feel warm and gentle. The locations are great too, as they go from Mongolian deserts, to farmlands, to the famous "Devil's Tower" in Wyoming, where the main magic happens.
The characters are what really grab you. Roy Neary, the main focus, is as normal as he can be, what with working for a power company. A perfect fit in the puzzle this movie weaves. Francois Truffaut makes an almost rare appearance in a much bigger role than usual, as an astronaut that is just as fascinated with these happenings as the rest of the civilians. All characters are credible and you just learn to love 'em. The story lines (including family values, what is more important in one's life, and what the ultimate experience in heaven is) are as empathetic as it can get.
John Williams scores a masterpiece with a score that touches all the senses in our subconscious and takes us on a journey with the characters, but on a journey within ourselves, as does the movie, and in the end, you feel refreshed and ready to take on your troubles and strife.
The matter of which version is which is a real conversation piece. As the original theatrical version is VERY rarely seen, one suspects, based on many reviews, that the 1980 re - release is a much better film. But this should not hinder any viewings of this spectacular film.
Spielberg, get back to these kinds of films!
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