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Close Encounters of the Third Kind (1977)

After an encounter with U.F.O.s, a line worker feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

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Won 1 Oscar. Another 13 wins & 37 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Claude Lacombe (as Francois Truffaut)
...
...
...
...
Warren J. Kemmerling ...
Wild Bill (as Warren Kemmerling)
...
Philip Dodds ...
...
Shawn Bishop ...
Adrienne Campbell ...
Silvia Neary
Justin Dreyfuss ...
...
Robert
Merrill Connally ...
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Storyline

Roy Neary sets out to investigate a power outage when his truck stalls and he is bathed in light from above. After this, strange visions and five musical notes keep running through his mind. Will he find the meaning of the visions, and who - or what - placed them in his mind? Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Close Encounter of the First Kind - Sighting of a UFO. Close Encounter of the Second Kind - Physical Evidence. Close Encounter of the Third Kind - Contact. WE ARE NOT ALONE See more »

Genres:

Drama | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

25 December 1977 (USA)  »

Also Known As:

CE3K  »

Box Office

Budget:

$19,400,870 (estimated)

Gross:

$128,300,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(special edition) | (director's cut) | (original)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The last scene to be filmed was the opening scene in the desert. See more »

Goofs

In the climatic ending the first alien, a tall and spindly creature crawls out of the huge "mother" ship's opening, then stands up spreading its long arms out wide. It's a very memorable and dramatic cinematic entrance with the film's score adding to the grandeur. The smaller aliens come out and stand in line, then greet the humans. We do not see the first tall alien again in the film and in all released versions of Close Encounters of the Third Kind. However, Spielberg's intent was to show a racially diverse group of aliens aboard the ship, as evidenced by the final alien who communicates with Lacombe, who is also a physically different character than the tall and small aliens. The tall alien was not meant to resemble a spider, but was referred to by the production team as the "Jesus alien" because of its arms-out gesture. There were originally supposed to be three of them, joining hands in that position and creating more shimmering lights. The production team simply could not make this work. This alien was a marionette, and it was very difficult to film without the strings showing. See more »

Quotes

[Roy is shoveling soil into his kitchen window]
Roy Neary: Ronnie, if I don't do this, *that's* when I'm going to need a doctor.
See more »

Connections

Referenced in The Making of 'E.T. The Extra-Terrestrial' (1996) See more »

Soundtracks

She'll Be Comin' 'Round the Mountain
(uncredited)
Traditional
Whistled by a UFO observer
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Close Encounters Of The Incomprehensible Kind
27 June 2015 | by (United States) – See all my reviews

Spoilers Ahead:

This movie, besides being dreadfully boring, suffers from two bizarre assumptions. One, that advanced beings are less aware of how their actions effect more primitive forms. Two, that their forms of organizing knowledge are identical with our own. The first is also found in THE MOTIONLESS PICTURE, they cannot tell scans from weapons attacks, though we, the primitives can. Here, they burn faces, terrorize a single mom, almost burn her house down and abduct her little boy. We are supposed to believe that they are that advanced and are oblivious to the consequences, moral and scientific, of their behavior. The deduction is unavoidable either they are: 1. malevolent or 2. Retarded. On earth, it is an empirical fact that the higher up the chain of mammal life we go, the greater the awareness of our actions on other creatures, not less. Here, as in the MOTIONLESS PICTURE, they tool about kidnapping children, burning faces, planting the image of the Devil's Tower in monkey boys heads which tortures them and causes them to freak out and go bananas. Does this sound like benevolent aliens to you?

The second one we see in the last half hour of the movie. As in CONTACT, where we hear Ellie tells us that math is the only truly universal language. What is the evidence for that assertion? Kant shows us that the forms of unifying the phenomenal into categories like causation, plurality are simply our ways of making sense of the phenomenal world and have not reality outside of our minds. Why would we assume their minds work like ours? Notice that imitation is not communication. No communication occurs in this movie only we play back and they play back. Nothing more than if we played Little Deuce Coupe to them and they played it back to us. What happened? nothing but mindless mimic behavior. The same with the silly hand gestures, what just took place?

Beyond these subtleties, the movie is one of the most boring pieces of crap you will ever endure. The effects have not aged well; as one great reviewer wrote, they do look like lighted ice cream cones. You will not enjoy watching Roy and his family come apart; or Roy turning the living room into a mud room, literally. It is an ugly, boring film. Seeing the little boy and his mother terrorized and then the little boy abducted, sorry, these actions do not bespeak benign, kind aliens. Forgive me, it came out after STAR WARS and it was so apparent to us, at the time, it was an attempt to cash in on that movie. It is just different enough but you get the point. Ironically, Carpenter did the same thing to Steven with STARMAN right after E.T. The movie is not esoteric it is absurd and incomprehensible deliberately I believe. Q.E.D.


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Bad father? Seriously? grybop
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