A giant great white shark arrives on the shores of a New England beach resort and wreaks havoc with bloody attacks on swimmers, until a local sheriff teams up with a marine biologist and an old seafarer to hunt the monster down.
In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession ... Written by
When Roy (Richard Dreyfuss) is talking to his wife trying to describe what he saw in the sky, he likens it to reading about the Aurora Borealis in the National Geographic. Previously, in Jaws (also directed by Steven Spielberg), Dreyfuss' character was mocked by the mayor, claiming that he would love to get his name in the National Geographic. See more »
In a close shot of the UN SUVs, one of the flags is blowing forward while the other blows backward. Also the flags are waving as if in a gentle breeze. In all the others shots the vehicles are moving fast and all the flags are blown back by the strong wind. See more »
Soldier in gas mask:
Are you OK sir?
Yeah, I'm fine! And the only gas around here is from you guys farting around!
See more »
Near the end of the credits it starts to reads as follows: "During the filming of all animal sequences, H.L. EDWARDS, Veterinarian of Gillette, Wyoming, was in attendance at all times to aid the filmmakers and the anesthetist in proper treatment of the animals used, and at no time were the animals harmed or mistreated in any way." See more »
Words and Music by Al Stillman (as Al Stillman) and Robert Allen
Published by International Korwin Corp.
From the Columbia Records album "Johnny Mathis' All-Time Greatest Hits" See more »
This movie, besides being dreadfully boring, suffers from two bizarre assumptions. One, that advanced beings are less aware of how their actions effect more primitive forms. Two, that their forms of organizing knowledge are identical with our own. The first is also found in THE MOTIONLESS PICTURE, they cannot tell scans from weapons attacks, though we, the primitives can. Here, they burn faces, terrorize a single mom, almost burn her house down and abduct her little boy. We are supposed to believe that they are that advanced and are oblivious to the consequences, moral and scientific, of their behavior. The deduction is unavoidable either they are: 1. malevolent or 2. Retarded. On earth, it is an empirical fact that the higher up the chain of mammal life we go, the greater the awareness of our actions on other creatures, not less. Here, as in the MOTIONLESS PICTURE, they tool about kidnapping children, burning faces, planting the image of the Devil's Tower in monkey boys heads which tortures them and causes them to freak out and go bananas. Does this sound like benevolent aliens to you?
The second one we see in the last half hour of the movie. As in CONTACT, where we hear Ellie tells us that math is the only truly universal language. What is the evidence for that assertion? Kant shows us that the forms of unifying the phenomenal into categories like causation, plurality are simply our ways of making sense of the phenomenal world and have not reality outside of our minds. Why would we assume their minds work like ours? Notice that imitation is not communication. No communication occurs in this movie only we play back and they play back. Nothing more than if we played Little Deuce Coupe to them and they played it back to us. What happened? nothing but mindless mimic behavior. The same with the silly hand gestures, what just took place?
Beyond these subtleties, the movie is one of the most boring pieces of crap you will ever endure. The effects have not aged well; as one great reviewer wrote, they do look like lighted ice cream cones. You will not enjoy watching Roy and his family come apart; or Roy turning the living room into a mud room, literally. It is an ugly, boring film. Seeing the little boy and his mother terrorized and then the little boy abducted, sorry, these actions do not bespeak benign, kind aliens. Forgive me, it came out after STAR WARS and it was so apparent to us, at the time, it was an attempt to cash in on that movie. It is just different enough but you get the point. Ironically, Carpenter did the same thing to Steven with STARMAN right after E.T. The movie is not esoteric it is absurd and incomprehensible deliberately I believe. Q.E.D.
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