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Close Encounters of the Third Kind (1977)

 -  Drama | Sci-Fi  -  16 December 1977 (USA)
7.7
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Ratings: 7.7/10 from 115,649 users   Metascore: 91/100
Reviews: 311 user | 159 critic | 7 from Metacritic.com

After an encounter with U.F.O.s, a line worker feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

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Won 1 Oscar. Another 18 wins & 37 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
'Lacombe' / Claude Lacombe (as Francois Truffaut)
...
...
...
...
Warren J. Kemmerling ...
Wild Bill (as Warren Kemmerling)
...
Philip Dodds ...
...
Shawn Bishop ...
Adrienne Campbell ...
Silvia Neary
Justin Dreyfuss ...
...
Merrill Connally ...
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Storyline

Roy Neary sets out to investigate a power outage when his truck stalls and he is bathed in light from above. After this, strange visions and five musical notes keep running through his mind. Will he find the meaning of the visions, and who - or what - placed them in his mind? Written by Colin Tinto <cst@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

We are not alone See more »

Genres:

Drama | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

16 December 1977 (USA)  »

Also Known As:

CE3K  »

Box Office

Budget:

$19,400,870 (estimated)

Gross:

$128,300,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(special edition) | (director's cut) | (original)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Actor Bob Balaban kept a diary of behind-the-scenes events during production. This diary was published to tie-in with release of the film. See more »

Goofs

As the 12 people in red selected by the government head for the mothership, the blond woman is two people in front of Roy, and not wearing her sunglasses. In the next shot, she has her sunglasses on, and is now in immediately in front of him. See more »

Quotes

Ronnie Neary: Roy, what did it look like?
Roy Neary: It was like an ice cream cone.
Ronnie Neary: What flavor?
Roy Neary: Orange. It was orange - and it wasn't like an ice cream cone. It was, it was more like a shell. You know, it was like this.
Ronnie Neary: Like a taco? Was it like one of those Sara Lee, um, moon-shaped cookies? Those crescent cookies? Don't you think I'm taking this really well? I remember when we used to come to places like this just to look at each other... and snuggle.
See more »

Connections

Referenced in Koi... Mil Gaya (2003) See more »

Soundtracks

Chances Are
(1957)
Words & music by Al Stillman (as Al Stillman) and Robert Allen
Published by International Korwin Corp.
From the Columbia Records album "Johnny Mathis' All-Time Greatest Hits"
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Beautiful, extraordinary and beautiful.
9 August 2005 | by (Sundance, Utah) – See all my reviews

Watch the skies, you may see the stars move. Is it your imagination, or did it really happen. Answer to that could go both ways. Three UFOs fly past you while you are on the highway, one bright blue, the other red and blue, and the third bright orange, followed by a small red orbit tailgating it. Was this real, or just your imagination: Either it was real, or you must be seeing things...

Thus is among th many questions asked in the Steven Spielberg UFO classic, "Close Encounters of the Third Kind" a film that explores not just the possibility that we are not alone in the universe, but a film that compels us to look inside ourselves and try to find the real meaning in our lives. The story starts when lost pilots planes are being found, except that they have been lost for over thirty years! And in another part of this world, a married man, working for a cable company, experiences a "close encounter" of the first kind - sighting a UFO. Then, he experiences physical experiences regarding a shape and place he has never comprehending before. With a scientific expedition in pursuit, Roy Neary( Richard Dreyfuss) and a fellow "close encountering" Jillian Guiler(Melinda Dillon) try to find out the answer to their questions of why these strange occurrences are happening.

As realistic as it could be, this film transcends the usual alien picture because it portrays the unbelievable as totally realistic and what one wouldn't expect - intelligent life is just that - intelligent, and accepting, of our world and universe. The images in this film light up the screen and make you feel like you are living a dream, with flurry images of light, making one feel warm and gentle. The locations are great too, as they go from Mongolian deserts, to farmlands, to the famous "Devil's Tower" in Wyoming, where the main magic happens.

The characters are what really grab you. Roy Neary, the main focus, is as normal as he can be, what with working for a power company. A perfect fit in the puzzle this movie weaves. Francois Truffaut makes an almost rare appearance in a much bigger role than usual, as an astronaut that is just as fascinated with these happenings as the rest of the civilians. All characters are credible and you just learn to love 'em. The story lines (including family values, what is more important in one's life, and what the ultimate experience in heaven is) are as empathetic as it can get.

John Williams scores a masterpiece with a score that touches all the senses in our subconscious and takes us on a journey with the characters, but on a journey within ourselves, as does the movie, and in the end, you feel refreshed and ready to take on your troubles and strife.

The matter of which version is which is a real conversation piece. As the original theatrical version is VERY rarely seen, one suspects, based on many reviews, that the 1980 re - release is a much better film. But this should not hinder any viewings of this spectacular film.

Spielberg, get back to these kinds of films!


56 of 79 people found this review helpful.  Was this review helpful to you?

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TOBY! YOU ARE CLOSE TO DEATH!!! dysartmanach
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