Luigi Maietto (Chinaman) escapes from prison he then orders two henchman to murder the inspector whose testimonal led to his being jailed. Inspector Tanzi is left for dead but lives. The ...
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A biker's brother is killed while investigating the kidnapping of a young boy, the byproduct of a war between two crime families. The biker vows to get revenge by finding the kidnapped boy and destroying the two families.
Vincenzo 'hunchback' plans a robbery on a armored police van with his gang. Once the job is done, his gang try to kill him and absconds with the loot. Vincenzo hides in the sewers before ... See full summary »
Italian mobster, Michele Barresi heads for the safer climate of Brooklyn after his chief rival is gunned down in the small Sicilian town of Corleone. Commissioner Berni learns of his ... See full summary »
Christian (Robert Hoffman) and his girlfriend are taking a walk on a deserted beach when they discover a woman's body lying. A closer look proves that she's alive. The next day Christian ... See full summary »
Sadistic no-count killer Nanni Vitali and three other equally brutish hoodlums escape from prison. The foul foursome embark on a savage rape, murder, and robbery spree. Vitali even abducts ... See full summary »
A detective sick and tired of the rampant crime and violence in his city, and constantly at odds with his superiors, is finally kicked out of the department for a "questionable" shooting of... See full summary »
Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young robber who takes his side.
Luigi Maietto (Chinaman) escapes from prison he then orders two henchman to murder the inspector whose testimonal led to his being jailed. Inspector Tanzi is left for dead but lives. The local newspapers cover up for him and pretend the assassination had worked. When Tanzi's able to his superior wants him to hide in Switzerland. But Tanzi defies him and intends to make sure that Maietto is put back in prison. Written by
THE CYNIC, THE RAT AND THE FIST (Umberto Lenzi, 1977) **1/2
This is one of the better poliziotteschi I've seen - written by Lenzi with two other Euro-Cult stalwarts, Ernesto Gastaldi and Dardano Sacchetti - and also, perhaps, the quintessential Maurizio Merli film (not that this, in itself, is a guarantee of quality!).
From the title, one presumes that this was intended to be THE GOOD, THE BAD AND THE UGLY (1966) of crime films - although, here, the shifty alliance is made between two baddies (Tomas Milian - dubbed "The Chinaman", for some reason a favorite nickname in films from this subgenre! - and John Saxon). Again, having just watched COP IN BLUE JEANS (1976) the previous day, I couldn't help noticing just how many of these films open with a robbery sequence; likewise, the leading man's girlfriend generally emanates from the wrong side of the tracks and is victimized for aiding our hero during the course of the film!
As is to be expected, the film's pace never lets up by providing a steady quota of highly proficient action scenes - culminating in a heist committed at one of Saxon's offices by Milian's thugs(!) and which also involves Merli and "The Professor", an elderly pint-sized expert in gadgetry, in the elaborate diffusion of the building's security system. Still, characterization is not entirely neglected: Merli is obsessed with catching Milian (even if the two only come face to face at the climax) and, feigning his own death, works undercover to this end but remains in contact with his chief; Milian is a small- time hood with ambitions of taking over the territory of American mobster Saxon; the latter, then, is the typical gangster - wealthy, ruthless (with a penchant for leaving traitors at the mercy of his enormous hounds!) and apparently omnipotent. The scenes in which the villainous duo clash - each with his own agenda which sees no place in the scheme of things for the other! - constitute some of the film's highlights; Franco Micalizzi's score is also notable.
Even if the film's in no way a spoof as COP IN BLUE JEANS had been, its script features a comparable surfeit of hard-boiled dialogue which is so over-the-top as to be quite funny - extending even to the notes of condolences passed on amongst the criminals as a means of heralding someone's death sentence!
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