A tremendous congestion hit the Roma highway ring. The biggest traffic jam ever seen endures for more than 36 hours. People blocked in their cars react at the beginning normally. But the ... See full summary »
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets... See full summary »
Rodolfo and Petrita each live in separate quarters in dilapidated Madrid, while looking to have a little apartment (or "pisito", in Spanish dialect). Unfortunately their low salaries ... See full summary »
Isidoro M. Ferry
José Luis López Vázquez,
Concha López Silva
Immigrants Luigi and Lafayette work for Andreas Flaxman at his wax museum in Lower Manhattan. Luigi, an asthmatic middle-aged romantic, works as an artist/sculptor while the Lafayette functions as a jack-of-all trades for Flaxman, who is obsessed with Ancient Rome, a preoccupation that most of his exhibits reflect. Lafayette lives in a rat-infested basement some blocks away and carries a whistle with to scare the rodents, which seem to be endemic to the area. He also works as a stagehand for a feminist theater group in their Off-off Broadway theater where he suffers their sexist abuses including being forced to wear a leotard. Angelica, one of the beautiful actresses in the troupe is attracted to him, and they begin a relationship. At the same time Luigi comes across the 50 foot model of King Kong in a Hudson River landfill, apparently discarded after the 1976 movie version of "King Kong." There he finds an orphaned baby chimpanzee which he takes to be the giant simian's son. Allergic... Written by
Is it another world, or our world gone mad? Ferreri has quite an imagination, especially his use of juxtaposition: a rotting carcass of King Kong, a wax museum where James Coco reenacts parts of history, and an underground society where rats prevail. Depardieu, who's lines are badly dubbed, manages to get through this yarn uncomfortably gripping a chimp where he found beside the dead Kong. Mastroianni is always at his best, altho this time presenting a more cartoonish characterization. However, despite the exotic idiosyncrasies, this film can be rather dull at moments. Nevertheless, I enjoyed a large percentage of this movie, ad hominem the ambiguous finale which may help clarifies the film's bizarre symbolism. Watch this one on a rainy day.
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