May 1978 The mining town of Kolwezi in Katanga, Zaire (now Democratic Republic of Congo, the former Belgian Congo) is under attack from a group of communist guerillas coming from nearby ... See full synopsis »
A bodybuilder, a junk-food addict and a wild blonde nymph and their friends are stalked by a terrifying figure. An horrific tale of murder as a fun-loving group of college students explore ... See full summary »
An aging artist sees a beautiful young woman drowning near the beach and helps her. They become lovers. At first he is smitten by her youth, beauty and free spirit but soon he starts worrying that she might actually be insane.
Immigrants Luigi and Lafayette work for Andreas Flaxman at his wax museum in Lower Manhattan. Luigi, an asthmatic middle-aged romantic, works as an artist/sculptor while the Lafayette functions as a jack-of-all trades for Flaxman, who is obsessed with Ancient Rome, a preoccupation that most of his exhibits reflect. Lafayette lives in a rat-infested basement some blocks away and carries a whistle with to scare the rodents, which seem to be endemic to the area. He also works as a stagehand for a feminist theater group in their Off-off Broadway theater where he suffers their sexist abuses including being forced to wear a leotard. Angelica, one of the beautiful actresses in the troupe is attracted to him, and they begin a relationship. At the same time Luigi comes across the 50 foot model of King Kong in a Hudson River landfill, apparently discarded after the 1976 movie version of "King Kong." There he finds an orphaned baby chimpanzee which he takes to be the giant simian's son. Allergic... Written by
Strange, and it has some interesting bits, but it's dull and nonsensically plotted. Gerard Depardieu and Marcello Mastroinanni make asses of themselves, and Gail Lawrence, better known under her porn name, Abigail Clayton, is naked for about 50% of the film. Depardieu plays a boy toy in New York City. One day his friend, played by Mastroianni, is walking along the beach when he discovers the corpse of King Kong, whose orphaned baby he gets Depardieu to adopt. The themes involve the ever-changing gender roles, and this could have been very interesting. Unfortunately, it has no real plot to speak of, and it just meanders from weird scene to weird scene. Sometimes, the visuals are quite haunting, especially when the characters are on the beach with the New York cityscape towering over them and the giant ape corpse dominating the bottom of the frame. 5/10.
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