May 1978 The mining town of Kolwezi in Katanga, Zaire (now Democratic Republic of Congo, the former Belgian Congo) is under attack from a group of communist guerillas coming from nearby ... See full synopsis »
A bodybuilder, a junk-food addict and a wild blonde nymph and their friends are stalked by a terrifying figure. An horrific tale of murder as a fun-loving group of college students explore ... See full summary »
An aging artist sees a beautiful young woman drowning near the beach and helps her. They become lovers. At first he is smitten by her youth, beauty and free spirit but soon he starts worrying that she might actually be insane.
Immigrants Luigi and Lafayette work for Andreas Flaxman at his wax museum in Lower Manhattan. Luigi, an asthmatic middle-aged romantic, works as an artist/sculptor while the Lafayette functions as a jack-of-all trades for Flaxman, who is obsessed with Ancient Rome, a preoccupation that most of his exhibits reflect. Lafayette lives in a rat-infested basement some blocks away and carries a whistle with to scare the rodents, which seem to be endemic to the area. He also works as a stagehand for a feminist theater group in their Off-off Broadway theater where he suffers their sexist abuses including being forced to wear a leotard. Angelica, one of the beautiful actresses in the troupe is attracted to him, and they begin a relationship. At the same time Luigi comes across the 50 foot model of King Kong in a Hudson River landfill, apparently discarded after the 1976 movie version of "King Kong." There he finds an orphaned baby chimpanzee which he takes to be the giant simian's son. Allergic... Written by
Is it another world, or our world gone mad? Ferreri has quite an imagination, especially his use of juxtaposition: a rotting carcass of King Kong, a wax museum where James Coco reenacts parts of history, and an underground society where rats prevail. Depardieu, who's lines are badly dubbed, manages to get through this yarn uncomfortably gripping a chimp where he found beside the dead Kong. Mastroianni is always at his best, altho this time presenting a more cartoonish characterization. However, despite the exotic idiosyncrasies, this film can be rather dull at moments. Nevertheless, I enjoyed a large percentage of this movie, ad hominem the ambiguous finale which may help clarifies the film's bizarre symbolism. Watch this one on a rainy day.
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